本文選題：歌星 + 畫報(bào)��； 參考：《西南大學(xué)》2017年碩士論文

【摘要】：鴉片戰(zhàn)爭以后,我國受西方娛樂文化的影響,“明星文化”開始顯現(xiàn),尤其在二十世紀(jì)二三十年代的上海,形成了歌星、舞星、電影明星、交際明星等眾星云集的十里洋場,成為了我國音樂歷史長河發(fā)展中的鮮明標(biāo)志與符號(hào)。歌星的出現(xiàn)、歌星群體的形成是中國通俗音樂發(fā)展的重要構(gòu)成部分,是我國通俗音樂發(fā)展的歷史性標(biāo)志。第二次工業(yè)革命以后,人類社會(huì)進(jìn)入電氣時(shí)代。由西方興起的工業(yè)文明自1840年逐漸進(jìn)入中國,改變著中國的傳統(tǒng)生活方式,影響著我國社會(huì)文化的方方面面。一定程度上,“歌星”的產(chǎn)生和發(fā)展與工業(yè)文明的發(fā)展不無關(guān)系。在機(jī)械化大時(shí)代里,“歌星”成為市民消費(fèi)、娛樂的一個(gè)新奇對(duì)象,在享受著“歌星”帶給自己的強(qiáng)烈刺激之下,同時(shí)宣泄著工業(yè)生產(chǎn)制度下的強(qiáng)度壓力。本文基于前輩的研究成果,通過搜集、梳理、分析相關(guān)資料,運(yùn)用音樂史學(xué)的知識(shí)并結(jié)合社會(huì)學(xué)、文獻(xiàn)學(xué)、心理學(xué)等研究方法,以出版于1935年的《歌星畫報(bào)》為研究切入點(diǎn),對(duì)畫報(bào)中刊登、報(bào)道的歌星及相關(guān)內(nèi)容進(jìn)行史實(shí)的梳理,以把握當(dāng)時(shí)中國歌星存在的基本狀況。并以畫報(bào)中呈現(xiàn)的歷史史實(shí)為依據(jù),追溯、窺探二十世紀(jì)二三十年代中國歌星的產(chǎn)生、歌星群體的形成。因此,本文采用“逆行”的研究方法,首先梳理、搜集相關(guān)史料,然后根據(jù)所掌握的資料信息,分析、考察近代中國歌星產(chǎn)生的原因和條件,而不是首先呈示歌星群體形成的原因。《歌星畫報(bào)》是一份了解近代中國歌星群體的珍貴史料,《歌星畫報(bào)》的出版本身也說明了近代中國歌星群體和歌星文化的影響力。然后在此基礎(chǔ)上,進(jìn)一步分析中國歌星群體的形成對(duì)我國通俗音樂發(fā)展所產(chǎn)生的影響,讓更多的人了解、知道在我國近代通俗音樂發(fā)展中除了黎錦暉、黎明暉、周璇、王人美等,還有很多被埋沒、沒有被發(fā)掘的、不為人們所了解的人物在我國通俗音樂發(fā)展的過程中綻放過光彩、留下過足跡;讓更多的人知道早在二十世紀(jì)二三十年代的上海,我國通俗音樂的發(fā)展已經(jīng)與時(shí)代的發(fā)展接軌,并且取得了很好的成績。懷著無比崇高的敬意,筆者希望能夠?yàn)槲覈F(xiàn)代音樂史的研究和史料的豐富作出點(diǎn)滴工作和努力。全文從《歌星畫報(bào)》與歌星群體、近代中國歌星群體的存在特征、近代中國歌星群體的形成原因及發(fā)展歷程三個(gè)部分,梳理并闡述了二十世紀(jì)二三十年代中國歌星的存在、發(fā)展,主要包括以下幾方面的內(nèi)容:《歌星畫報(bào)》中的歌星、歌詠社團(tuán)數(shù)據(jù)統(tǒng)計(jì);歌詠界的基本架構(gòu)以及有關(guān)歌星的新聞?shì)浾?近代中國歌星群體產(chǎn)生的條件、形成與發(fā)展;歌星群體的組織和表現(xiàn)形式。
[Abstract]:After the Opium War, under the influence of Western entertainment culture, "star culture" began to emerge in China, especially in Shanghai in the 1920s and 1930s, forming a 10-mile foreign field with stars such as singers, dancers, movie stars, social stars, etc.It has become a distinctive symbol and symbol in the development of Chinese music history.The emergence of pop stars and the formation of the group of pop stars are important components of the development of Chinese popular music and a historic symbol of the development of popular music in China.After the second Industrial Revolution, human society entered the electric age.The industrial civilization rising from the West has gradually entered China since 1840, which has changed China's traditional way of life and affected all aspects of our social culture.To a certain extent, the production and development of the singer has something to do with the development of industrial civilization.In the era of mechanization, "singing star" has become a novel object of citizen consumption and entertainment, enjoying the intense stimulation brought by "singer", and at the same time venting the intensity pressure under the industrial production system.Based on the research achievements of the predecessors, by collecting, combing and analyzing the relevant materials, using the knowledge of music history and combining the research methods of sociology, philology and psychology, this paper takes the "Song Star Illustrated" published in 1935 as the starting point.In order to grasp the basic condition of the existence of Chinese singers at that time, the historical facts of the singers and their related contents were analyzed.Based on the historical facts presented in the pictorial, this paper explores the generation of Chinese singers and the formation of groups of singers in the twenties and thirties of the 20th century.Therefore, this article uses the "retrograde" research method, first combs, collects the correlation historical data, then according to the information which grasps, analyzes, examines the modern Chinese singer to produce the reason and the condition,"Song Star Illustrated" is a valuable historical material to understand the group of modern Chinese singers. The publication of "Song Star Illustrated" also shows the influence of the group and culture of modern Chinese singers.Then, on this basis, we further analyze the influence of the formation of Chinese pop star groups on the development of popular music in China, so that more people can understand that in the development of popular music in modern China, apart from Li Jinhui, Linghui, Zhou Xuan,Wang Renmei, and many others who have been buried, have not been discovered, and who are not known to people have bloomed brilliantly and left footprints in the course of the development of our country's popular music; let more people know that as early as Shanghai in the 1920s and 1930s,The development of popular music in China has been in line with the development of the times, and has achieved good results.With incomparably high respect, the author hopes to make little efforts for the study of modern music history and the enrichment of historical data.The full text combs and expounds the existence of Chinese singers in the twenties and thirties of the 20th century, from three parts: "Song Star Illustrated" and "Song Star Group", the existence characteristics of modern Chinese singing star group, the formation reason and development process of modern Chinese song star group.The development mainly includes the following aspects: the singers in the Song Star Illustrated, the statistics of the singing associations, the basic structure of the singing circle and the news public opinion about the singers, the conditions for the formation and development of the group of singers in modern China;The organization and expression of a group of singers.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J609.2

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