本文選題：福建南音 + 福建錦歌　； 參考：《上海音樂學(xué)院》2017年碩士論文

【摘要】：本論文以福建閩南地區(qū)享有"活化石"美譽的弓弦樂器二弦為主要研究對象。福建南音中的二弦這一樂器,以其與宋代奚琴的形制最為接近而廣為人知,但是鮮少有人探究過它千百年來形制、韻味均巋然不動的緣由。在本課題中,筆者通過對二弦在福建樂種南音和曲種錦歌中行腔、潤腔以及它與兩個弦管中其它樂器協(xié)作等諸多方面的表現(xiàn),從宏觀和微觀兩個層面論述它們的相同特點與自身的個性特征,繼而進(jìn)一步揭示器樂本體所蘊涵的傳承密碼,以及當(dāng)?shù)厣鐣幕碾[喻。因此,本課題南音和錦歌中的二弦藝術(shù)比較研究有著深遠(yuǎn)的意義。南音和錦歌是同一地域(閩南)的兩種民間音樂形式,由于這兩種弦管音樂在曲源、地域性音調(diào)色彩、樂器組合等宏觀方面的共同之處,以致兩種二弦在與托腔和墊補的伴奏功能上,以及在與其它弦管樂器的協(xié)作關(guān)系上,均有頗多共同特點;也由于這兩種弦管音樂在板式、旋法、唱腔潤飾方面的微觀區(qū)別,以致兩種二弦的演奏在音樂情感的敘述性、抒詠性的行腔上,以及在樂師左手潤腔、右手運弓的幅度、力度上,均有諸多個性特征,以及美學(xué)特色。歷經(jīng)千百年朝代更迭、風(fēng)云變幻后,二弦這件樂器——形制性能的變與不變、傳統(tǒng)演奏規(guī)則的改與不改,皆與它所依附的地方樂種和曲種代表的社會身份和文化旨趣緊密相關(guān)。
[Abstract]:This thesis focuses on the two strings of arched musical instruments which enjoy the reputation of "living fossils" in Minnan area, Fujian Province.The second string in Fujian Nan Yin is well known for its closest form to the Xi Qin in the Song Dynasty, but few people have explored the reason why it has been shaped for thousands of years.In this subject, the author through the second string in Fujian music in the south of the song and song in the line, moistening the cavity and it with the other instruments in the two chords, and other aspects of the performance,This paper discusses their same characteristics and their own personality characteristics from the macro and micro aspects, and then further reveals the inheritance codes contained in instrumental music Noumenon, as well as the metaphors of local social culture.Therefore, the comparative study of the two string art in Nan Yin and Jin Song is of profound significance.Nanyin and brocade songs are two forms of folk music in the same region (Minnan). Because of the common features of these two kinds of chord music in the macro aspects, such as quyuan, regional tone color, musical instrument combination, etc.,As a result, the two kinds of strings have many common features in their accompaniment functions with receptacles and mats, as well as in their cooperative relations with other wind instruments, and because of the microscopic differences between the two kinds of chord music in terms of plate style, rotation, and singing retouching.As a result, the two kinds of two strings play on the narrative of the musical emotion, on the line of the lyric, and on the amplitude and strength of the musicist's left hand and the right hand in the movement of the bow, all of which have many personality characteristics and aesthetic characteristics.After the change of dynasties for thousands of years, the change and invariance of the shape and performance of this musical instrument, the change or not of the traditional playing rules are closely related to the social identity and cultural purport of the local music species and the music species represented by it.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J607

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