本文選題：音樂學(xué)界　切入點：簫鼓　出處：《人民音樂》2017年03期

【摘要】：正一、紅旗半卷臨易水20世紀(jì)末,中國音樂學(xué)界發(fā)生了一件初始并不顯眼但影響卻越來越深遠(yuǎn)的事,三十年間逐漸獲得整個學(xué)術(shù)界的關(guān)注并慢慢演化為采訪史上的“軸心”事件,一大堆奪人眼球的文章堆疊在學(xué)術(shù)期刊的黃金位置,漸至到了可以稱之為“冀中學(xué)案”的地步,因為它具有了一個“學(xué)案”所要求的卷入學(xué)者眾多、采訪樂社廣大、
[Abstract]:First, at the end of the 20th century, when the red flag was half rolled, something had happened in the Chinese music world that was not obvious at the beginning but had more and more far-reaching effects.Over the past 30 years, the attention of the entire academic community has gradually gained and gradually evolved into an "axis" event in the history of interviews. A large number of eye-catching articles stacked in the golden position of academic journals have gradually reached the point where they can be called "Jizhong school case."Because it has a "learning plan" that requires a large number of involved scholars and interviews with the vast number of music societies,

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1 宋學(xué)軍;音樂學(xué)界追憶“廖氏兩兄弟”[N];音樂周報;2008年

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