本文選題：MIDI二胡　切入點(diǎn)：電子音樂　出處：《中國音樂學(xué)院》2017年碩士論文

【摘要】：二胡作為一件民族樂器經(jīng)歷了近千年的自身變革,這種變革是自身內(nèi)部的循環(huán)發(fā)展。然而,在科技軟件發(fā)達(dá)、產(chǎn)業(yè)技術(shù)升級、創(chuàng)新產(chǎn)業(yè)蓬勃發(fā)展的今天,越來越多的民族樂器開始嘗試與科技進(jìn)行結(jié)合,由聲學(xué)樂器向電聲樂器進(jìn)行轉(zhuǎn)變。然而在民族樂器電子化方面,目前還沒查到與之相關(guān)領(lǐng)域的研究成果。本文圍繞著二胡與電子音樂的三個具體問題進(jìn)行研究:第一,關(guān)于設(shè)計一把MIDI二胡的樂器構(gòu)想。在此基礎(chǔ)上,因個人能力有限,故借助現(xiàn)有的MIDI信號轉(zhuǎn)換器——羅蘭GI-10,實(shí)現(xiàn)MIDI二胡實(shí)時激發(fā)電子音色的具體實(shí)施方法研究。第二,關(guān)于二胡的音域、音色、演奏技法與所激發(fā)的電子音色的匹配度以及在實(shí)時演奏中的若干問題;實(shí)時激發(fā)后在電腦軟件采樣器中制作音色功能的具體映射與搭建方法;第三,根據(jù)已有原聲二胡實(shí)時激發(fā)電子音色方法為'二胡與[513教室]電子樂團(tuán)'創(chuàng)作的兩部作品,對前文所提及的技術(shù)在創(chuàng)作中實(shí)踐,并對應(yīng)用的作曲技術(shù)與激發(fā)技術(shù)進(jìn)行具體分析。通過以上分析與研究發(fā)現(xiàn),二胡與電子音樂之間實(shí)時交互的方式,可以不再只是通過樣本采樣和樣本音頻編輯的傳統(tǒng)方法進(jìn)行音樂創(chuàng)作。將二胡變成一件音色拓展、演奏信息識別轉(zhuǎn)換、激發(fā)效果器參數(shù)的復(fù)合功能樂器,將更加有利于電子音樂的交互式創(chuàng)作。這些多維度的功能在MIDI二胡的激發(fā)過程中,皆可實(shí)現(xiàn)。由此可見,通過以上研究可以開拓二胡作為民族拉弦樂器的單一角色,觸及至更加廣闊與多維度的電子音樂領(lǐng)域中進(jìn)行更加深入的探索。
[Abstract]:Erhu, as a national musical instrument, has experienced the transformation of itself for nearly a thousand years, which is its internal circular development. However, with the development of science and technology software, the upgrading of industrial technology and the vigorous development of innovation industry, More and more national musical instruments are beginning to try to combine with science and technology, from acoustic instruments to electric instruments. However, in the electronic aspects of national musical instruments, This paper focuses on three specific problems of erhu and electronic music: first, about the design of an MIDI erhu musical instrument. On this basis, because of personal ability is limited, Therefore, with the help of the existing MIDI signal converter Roland GI-10, the concrete implementation method of real-time firing electronic timbre of MIDI erhu is studied. The matching degree of playing technique and the electronic timbre stimulated and some problems in real-time playing; the concrete mapping and building method of timbre function in computer software sampler after real-time excitation; third, According to the two works of 'Erhu and [513] Electronic Orchestra, which have been used to stimulate the electronic timbre of the original erhu in real time, the techniques mentioned above have been put into practice in the process of creation. Through the above analysis and research, it is found that the real time interaction between erhu and electronic music, It is no longer possible to create music only through the traditional methods of sample sampling and sample audio editing. The erhu can be turned into a composite functional instrument that expands the timbre, plays information recognition and conversion, and stimulates the parameters of the effector. These multi-dimensional functions can be realized in the process of stimulating MIDI erhu. Thus, through the above research, we can explore the single role of Erhu as a national string instrument. Touch to a broader and more dimensional field of electronic music for more in-depth exploration.
【學(xué)位授予單位】：中國音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J632.21

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本文編號：1658602