本文選題：儀式班社　切入點：血緣　出處：《音樂創(chuàng)作》2017年08期

【摘要】：本文梳理了獅班、鑼鼓班、儒家班和中軍班的發(fā)展歷程,比較分析出這些民間儀式班社的發(fā)展都經(jīng)歷了由血緣向地緣乃至社會關(guān)系的轉(zhuǎn)變;這些轉(zhuǎn)變有時是逆行有時是順行,這充分的說明民間儀式班社的靈活性,正是這種靈活性,使得民間班社在傳承中生生不息。
[Abstract]:This paper combs the development course of lion class, gongs and drums class, Confucian class and Chinese military class, and compares and analyzes that the development of these folk ritual classes has undergone a transformation from blood relationship to geographical and even social relations; these changes are sometimes retrograde and sometimes go in the same direction. This fully explains the flexibility of the Folk ritual Society. It is this flexibility that makes the Folk Society live on.
【作者單位】： 嘉應學院音樂學院;
【基金】：2014年度客家研究基地招標項目“當代客家山歌傳承與應用研究”階段性成果,項目批號14KYKT11
【分類號】：J607
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本文編號：1658834