原創(chuàng)琵琶獨(dú)奏曲《高粱紅了》的創(chuàng)作特征及技巧運(yùn)用
發(fā)布時(shí)間:2018-03-22 01:33
本文選題:琵琶 切入點(diǎn):高粱紅了 出處:《山東藝術(shù)學(xué)院》2017年碩士論文 論文類型:學(xué)位論文
【摘要】:電視劇《紅高粱》,主題曲《九兒》以其高亢激昂的曲調(diào)和蒼涼悲壯的情感深入人心。筆者以《九兒》的音樂(lè)動(dòng)機(jī)為素材,改編創(chuàng)作成琵琶獨(dú)奏曲《高粱紅了》,并對(duì)其樂(lè)曲結(jié)構(gòu)及寫作思路進(jìn)行解析說(shuō)明。同時(shí)以此為切入點(diǎn),簡(jiǎn)單闡述如何利用琵琶本身豐富的語(yǔ)匯及演奏技巧,表現(xiàn)樂(lè)曲的主題,怎樣發(fā)揮樂(lè)器本身的音色特點(diǎn)和個(gè)性,使音樂(lè)再創(chuàng)作者更能表達(dá)內(nèi)心情感。本文的第一章對(duì)電視劇《紅高粱》主題曲“九兒”的創(chuàng)作背景及創(chuàng)作特點(diǎn)進(jìn)行了簡(jiǎn)要分析及介紹;第二章對(duì)改編創(chuàng)作的琵琶獨(dú)奏曲《高粱紅了》進(jìn)行樂(lè)曲結(jié)構(gòu)及曲式分析。第三章介紹在此曲中琵琶左右手技法的合理使用及氣息的恰當(dāng)運(yùn)用。第四章淺述在改編創(chuàng)作此曲過(guò)程中歸納總結(jié)出適合琵琶演奏的風(fēng)格特色。為廣大從事琵琶演奏及教學(xué)的同仁拋磚引玉,做出再創(chuàng)作的大膽嘗試和積極探索。通過(guò)體會(huì)作品內(nèi)涵,挖掘二度創(chuàng)作的潛力,創(chuàng)作出個(gè)性鮮明的藝術(shù)佳品。從而引起觀眾的共鳴,同時(shí)促進(jìn)琵琶演奏作品的豐富多彩。
[Abstract]:The TV series "Red Sorghum", the theme song "Jiuer", with its high-spirited tunes and desolate and tragic emotions, is deeply rooted in the hearts of the people. The author takes the musical motivation of "Jiuer" as the material. It is adapted to the pipa solo "Sorghum Red", and its music structure and writing ideas are analyzed and explained. At the same time, as a starting point, the author briefly expounds how to use the rich vocabulary and playing skills of the pipa itself to express the theme of the music. How to give play to the timbre and personality of the musical instrument itself, so that the music re-creator can express the inner emotion more. The first chapter of this article briefly analyzes and introduces the creative background and creative characteristics of the TV drama "Jiuer", the theme song of "Red Sorghum"; Chapter two analyzes the structure and form of the composition of the pipa solo "Sorghum Red". The third chapter introduces the rational use of the left and right hand techniques and the proper use of the breath in this song. In the process of creating this song, we summed up the style and characteristics suitable for pipa playing, and made a contribution to all our colleagues engaged in pipa playing and teaching. Making bold attempt and active exploration of re-creation. Through understanding the connotation of the works, excavating the potential of the second creation, creating a distinctive artistic quality, thus arousing the resonance of the audience, at the same time promoting the rich and colorful works of pipa performance.
【學(xué)位授予單位】:山東藝術(shù)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J632.33
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 韓淑德;琵琶源流再考[J];音樂(lè)探索.四川音樂(lè)學(xué)院學(xué)報(bào);1986年04期
2 韓淑德;琵琶發(fā)展史略[J];音樂(lè)探索.四川音樂(lè)學(xué)院學(xué)報(bào);1984年02期
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