本文選題：藏羌原生民歌　切入點：觀眾拓展　出處：《音樂創(chuàng)作》2017年07期 　論文類型：期刊論文

【摘要】：隨著時代環(huán)境的變化,當代少數(shù)民族原生民歌的創(chuàng)作及演唱已在傳統(tǒng)基礎(chǔ)上有了很多變化,而其受眾的審美特征亦日趨挑剔日益挑剔,這樣的情況注定會對受眾的拓展方式提出更高的要求�；诜沁z保護視閾,對藏羌原生民歌的觀眾拓展進行探索,既可以拉近與受眾之間的審美距離,讓更多人認知、接受,亦是對藏羌原生民歌的傳承與保護。該項研究對于藏羌原生民歌這類非物質(zhì)文化遺產(chǎn)而言,是關(guān)于繼承與創(chuàng)新的思索;對于其他民族原生民歌的藝術(shù)表現(xiàn)而言,也是很好的經(jīng)驗及借鑒。
[Abstract]:With the change of the environment of the times, the creation and singing of the native folk songs of contemporary ethnic minorities have changed a lot on the basis of tradition, and the aesthetic characteristics of their audiences are becoming more and more picky and picky. Such a situation is bound to put forward higher demands on the way of expanding the audience. Based on the perspective of non-posthumous protection, the exploration of the audience expansion of Tibetan and Qiang native folk songs can not only narrow the aesthetic distance between the audience and the audience, but also enable more people to recognize and accept it. It is also the inheritance and protection of Tibetan and Qiang native folk songs. This study is a reflection on inheritance and innovation for intangible cultural heritage such as Tibetan and Qiang native folk songs, and for the artistic expression of native folk songs of other nationalities, Also is very good experience and draw lessons from.
【作者單位】： 四川音樂學(xué)院民族聲樂系;四川音樂學(xué)院藝術(shù)學(xué)理論系;
【基金】：四川省教育廳資助科研項目 省屬高校科研創(chuàng)新團隊項目:“藏羌原聲民歌的創(chuàng)新研究與應(yīng)用”;項目編號:15TD0035~~
【分類號】：J607
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本文編號：1641161