本文選題：龍吟　切入點：大花苗　出處：《貴州師范大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

【摘要】：貴州省黔西南州普安縣龍吟鎮(zhèn)大花苗是一個古老而遷徙的民族,其傳統(tǒng)音樂是當(dāng)?shù)孛缱逶陂L期的生活與勞動中形成的,他們用音樂表達(dá)情感,用音樂傳遞信息。100多年前英國傳教士塞繆爾·伯格理來到滇黔川邊界威寧石門坎傳教,與當(dāng)?shù)孛缑褚黄饎?chuàng)建了伯格里苗文和“波拉德”苗文記譜法。至此以后,大花苗的音樂文化便在他們的民族傳統(tǒng)和基督教雙重影響下發(fā)展傳承。本文筆者將從以下方面展開研究闡述:“引言”部分是對龍吟大花苗的背景及其研究意義進(jìn)行必要的概括,分析國內(nèi)研究現(xiàn)狀并展開研究思路。第一章主要研究“龍吟大花苗的音樂文化環(huán)境”,共分為七個部分。分別從其自然地理、族源考略及歷史變遷、語言文字、民族服飾、婚喪習(xí)俗、民族節(jié)日、宗教信仰方面論述。第二章是從“龍吟大花苗的音樂基本類型”著手,分析其傳統(tǒng)古歌和頌主圣歌,再通過對其歌唱形式和常用器樂進(jìn)行闡述,從而了解龍吟大花苗的民族傳統(tǒng)與基督教交織影響下的音樂形式。第三章以“大花苗音樂藝術(shù)形態(tài)”為研究對象,分別列舉了大花苗的音樂記譜法、歌曲藝術(shù)形態(tài)和傳統(tǒng)器樂藝術(shù)形態(tài)。深入的了解和研究龍吟大花苗的音樂現(xiàn)狀。第四章是筆者對“大花苗音樂文化的解讀”,主要探究龍吟大花苗音樂文化的價值功能,針對大花苗音樂在社會中的傳承與發(fā)展進(jìn)行思考。文章最后部分為結(jié)語
[Abstract]:Longyin Town, Puan County, southwest Guizhou Province, is an ancient and migrating ethnic group. Its traditional music is formed by the local Miao people in the long life and labor. They express their feelings with music. More than 100 years ago, a British missionary, Samuel Bergley, came to the border of Yunnan, Guizhou and Sichuan to preach at Shimenkan, and together with the local Miao Min, he created the Burgary Miao language and the "Pollard" Miao script notation. The music culture of Dahua Miao develops and inherits under the dual influence of their national tradition and Christianity. The author will study and expound from the following aspects: "introduction" is a necessary summary of the background and significance of the study of the Longyin Big Flower Miao. The first chapter mainly studies the musical and cultural environment of the Longyin Flower Miao, which is divided into seven parts. It is divided into seven parts. It is divided into seven parts. It is divided into seven parts. It is divided into seven parts: its natural geography, the textual research of the ethnic origin and historical changes, the language and characters, the national dress, and so on. The second chapter begins with "the basic types of music of dragon singing and big flower Miao", analyzes its traditional ancient songs and the hymn of the Lord, and then expounds its singing forms and common instrumental music through the discussion of marriage and funeral customs, national festivals and religious beliefs. In the third chapter, taking "the artistic form of music of the big flower Miao" as the research object, the author enumerates respectively the music notation method of the big flower seedling. Song art form and traditional instrumental music art form. Deeply understand and study the music status quo of Longyin Big Flower Miao. Chapter 4th is the author's interpretation of "Big Flower Miao Music Culture", which mainly explores the value function of Longyin Big Flower Miao Music Culture. The last part of the article is the conclusion of the inheritance and development of the music of the big flower Miao in the society.
【學(xué)位授予單位】：貴州師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J607

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本文編號：1589544