本文選題：現(xiàn)代民族室內(nèi)樂　切入點：基礎(chǔ)訓(xùn)練　出處：《大眾文藝》2016年23期 　論文類型：期刊論文

【摘要】：起源于歐洲的室內(nèi)樂在與中國的民族器樂交匯融合后,形成了民族室內(nèi)樂。近年來,無論是全國各地的專業(yè)比賽還是樂曲創(chuàng)作,對民族室內(nèi)樂的認(rèn)同和其自身的發(fā)展都有了迅雷不及掩耳之勢。但我們依然應(yīng)當(dāng)看到,現(xiàn)代民族室內(nèi)樂的訓(xùn)練方法及教材方面等方面依然有諸多缺失,這給演奏帶來了一系列的問題。本文就現(xiàn)代民族室內(nèi)樂的訓(xùn)練方法、教材資料及心理訓(xùn)練等方面入手,列舉以古箏為例的室內(nèi)樂訓(xùn)練方法及目前凸顯的問題,旨在通過此文,剖析日常訓(xùn)練的問題,為現(xiàn)代民族室內(nèi)樂的發(fā)展盡綿薄之力。
[Abstract]:In recent years, chamber music, which originated in Europe, merged with Chinese national instrumental music and formed national chamber music. In recent years, both professional competitions and music compositions from all over the country have been created. The recognition of national chamber music and its own development have a rapid trend. However, we should still see that there are still many deficiencies in the training methods and teaching materials of modern chamber music. This has brought a series of problems to the performance. This paper starts with the training methods, teaching materials and psychological training of modern national chamber music, enumerates the training methods of chamber music taking zither as an example and the problems at present, in order to pass this article. Analyze the problem of daily training, for the development of modern national chamber music.
【作者單位】： 四川音樂學(xué)院;
【基金】：四川音樂學(xué)院資助科研項目編號CY2014140
【分類號】：J632.32-4;G642

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