本文選題：苗族史詩　切入點(diǎn)：唱述音樂　出處：《民族學(xué)刊》2017年04期 　論文類型：期刊論文

【摘要】：近年來,苗族史詩及苗族儀式音樂的研究成果很多,但大多側(cè)重對儀式中史詩唱誦的文本譯介或價值分析,缺少對音樂的描寫及調(diào)查研究。我們注意到,苗族史詩的唱述是與其民族的民俗生活環(huán)境密切相關(guān)。為此,本文結(jié)合田野調(diào)查資料,聚焦于川南苗族喪葬儀式上苗族史詩的唱述音樂之民俗環(huán)境、音樂形態(tài)、史詩語言韻律等方面進(jìn)行分析。研究顯示,苗族史詩的唱述音樂作為較特殊類別的儀式音樂,由多種樂器聲響和人的聲音相交融,是其民族的音樂、語言和信仰觀念的綜合表達(dá)。把握其唱述與傳承的相關(guān)關(guān)系,對拓展民族音樂學(xué)的視野具有學(xué)術(shù)的意義。
[Abstract]:In recent years, there have been a lot of achievements in the research of the Miao epic and its ritual music, but most of them focus on the translation or value analysis of the epic chanting in the ceremony, lacking the description and investigation of the music. The singing and narration of the Miao epic is closely related to the folk life environment of its nationality. Therefore, this paper, based on the field investigation, focuses on the folk environment and music form of the singing and describing music of the Miao epic at the funeral ceremony of the Miao nationality in southern Sichuan. The study shows that the singing and describing music of the Miao epic, as a special type of ritual music, is composed of a variety of musical instruments and human sounds, and is the music of its people. It is of academic significance to expand the vision of ethnomusicology to grasp the relationship between language and belief.
【作者單位】： 西南民族大學(xué)藝術(shù)學(xué)院;
【基金】：國家社科基金重點(diǎn)項(xiàng)目“苗族古經(jīng)專題研究”(13AZD055)階段成果 中央財政高校專項(xiàng)項(xiàng)目“中國少數(shù)民族樂器匠人技藝信息資料采集與數(shù)據(jù)庫建設(shè)”(12SZYTH01),階段性成果
【分類號】：J607
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本文編號：1557907