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  本文選題：舒曼　切入點：鋼琴套曲《蝴蝶》　出處：《山東師范大學》2016年碩士論文　論文類型：學位論文

【摘要】：《蝴蝶》鋼琴套曲的誕生,讓人們意識到了鋼琴作品獨特的內(nèi)容題材與新穎的音樂結(jié)構(gòu)相結(jié)合的新形式,帶給人們更加新鮮的表現(xiàn)方式。舒曼在音樂作品中把浪漫主義文學融合其中,以更自由的形式進行音樂創(chuàng)新。他的創(chuàng)作手法打破了理性的規(guī)范,注重內(nèi)心的追求,將情感融入其中,把個人獨特的藝術(shù)創(chuàng)作和魅力完美呈現(xiàn)出來。本文從音樂創(chuàng)作特點和演奏兩方面來研究舒曼的鋼琴套曲《蝴蝶》。由于《蝴蝶》的創(chuàng)作是舒曼根據(jù)讓·保羅小說的最后一章《幼蟲之舞》中的情節(jié)來譜寫的,故套曲《蝴蝶》的研究和演奏分析更與文學緊密結(jié)合。正是由于《蝴蝶》的創(chuàng)作所具有的鮮明的文學性特點,筆者首先根據(jù)收集的資料和演奏體會詳細闡述了《蝴蝶》中的每首標題小曲的旋律、節(jié)奏、力度、速度等音樂元素,分析其如何呈現(xiàn)出小說中的三個性格迥異的主人公和舞會上的各種場景,如何將音樂與文學完美的“聯(lián)姻”。在演奏方面,結(jié)合自身的體會,充分發(fā)揮“想象”的作用,將想象與演奏相結(jié)合。在演奏技巧方面,將音色與力度的處理、旋律線的控制、八度演奏不同的處理、情感的調(diào)節(jié)等演奏難點進行了分析與探究。全文共分為三章進行了闡述。第一章從舒曼的藝術(shù)生涯和鋼琴套曲《蝴蝶》的創(chuàng)作進行了敘述,對作曲家生平及其作品誕生的背景做了介紹;第二章對鋼琴套曲《蝴蝶》的音樂創(chuàng)作特點進行了探究,分析了《蝴蝶》的創(chuàng)作中如何體現(xiàn)文學與音樂的“聯(lián)姻”,從鋼琴曲套曲的形式與題材內(nèi)容的結(jié)合到“音樂詩話”的旋律、調(diào)性的轉(zhuǎn)換、節(jié)奏的繁復(fù)多變等方面來分析音樂創(chuàng)作特點;第三章是對演奏部分的闡述,通過演奏中運用“想象”的作用和力度與音色的處理以及對《蝴蝶》演奏技術(shù)的難點和訓(xùn)練的分析,以此揭示如何更好地完成這部作品。論文通過對音樂創(chuàng)作的特點和演奏分析及技術(shù)難點的論述,探討了舒曼鋼琴套曲《蝴蝶》形式與內(nèi)容的呈現(xiàn),探索了演奏技術(shù)方面的相關(guān)問題,使這部作品的理論與技能兩方面都得到有益的研究,為演奏這部作品提供更多的理論與實踐的借鑒。
[Abstract]:The birth of "Butterfly" piano ensemble made people realize the new form of combination of unique content and novel music structure of piano works. In his musical works, Schumann integrates romantic literature and innovates music in a freer form. His creative techniques break the norms of reason and pay attention to the pursuit of his heart. To incorporate emotion into it, This article studies Schumann's piano ensemble "Butterfly" from the aspects of musical creation and performance. Because the creation of "Butterfly" is Schumann's work based on the novels of Jean Paul. In the last chapter, "Dance of the larva", Therefore, the study and performance analysis of the ensemble "Butterfly" is more closely combined with literature. It is precisely because of the distinctive literary characteristics of the creation of "Butterfly". First of all, according to the data collected and performance experience, the author elaborated the melody, rhythm, intensity, speed and other musical elements of each title song in Butterfly. It analyzes how it presents the three different characters of the protagonist in the novel and the various scenes at the dance, how to combine music and literature perfectly, and how to play the role of "imagination" fully in the aspect of playing, combining with one's own experience, and giving full play to the role of "imagination". The combination of imagination and performance. In terms of playing skills, the processing of timbre and intensity, the control of melody line, the different treatment of octave performance, The thesis is divided into three chapters. The first chapter describes Schumann's artistic career and piano ensemble "Butterfly". This paper introduces the life of the composer and the background of the creation of his works. The second chapter probes into the characteristics of the music creation of the piano ensemble Butterfly. This paper analyzes how to embody the "marriage" between literature and music in the creation of Butterfly, from the combination of the form and the subject matter of the piano music to the melody of the musical poem, and the transformation of the tone. The third chapter expounds the performance part, through the use of the role and intensity of "imagination" and the treatment of timbre, as well as the difficult points and training of the performance techniques of "Butterfly", the third chapter analyzes the characteristics of music creation in such aspects as the complexity and variety of rhythm. In order to reveal how to complete this work better, the paper discusses the presentation of the form and content of Schumann's piano ensemble "Butterfly" through the analysis of the characteristics of music creation and the analysis of performance and technical difficulties. This paper probes into the related problems of the performance technology, makes the theory and skill of this work both get beneficial research, and provides more theoretical and practical reference for the performance of this work.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2016
【分類號】：J624.1

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