“峽情、鄉(xiāng)音”古箏協(xié)奏曲《海峽幻想曲》作品分析和演奏體會(huì)
發(fā)布時(shí)間:2018-01-27 16:06
本文關(guān)鍵詞: 古箏 媽祖 莆仙戲 十音八樂(lè) 出處:《中央音樂(lè)學(xué)院》2017年碩士論文 論文類(lèi)型:學(xué)位論文
【摘要】:中國(guó)傳統(tǒng)音樂(lè)博大精深,于中國(guó)各地皆充滿(mǎn)獨(dú)樹(shù)一幟的地方音樂(lè)。民間、鄉(xiāng)土的音樂(lè)經(jīng)歷千百年來(lái)的消長(zhǎng)融合,流傳至今,帶給中華文化豐富的涵養(yǎng),中國(guó)傳統(tǒng)音樂(lè)也因此蓬勃發(fā)展。筆者來(lái)自臺(tái)灣,自小學(xué)習(xí)中國(guó)傳統(tǒng)器樂(lè)古箏,本科開(kāi)始赴中央音樂(lè)學(xué)院學(xué)習(xí)至今。此次選擇古箏協(xié)奏曲《媽祖幻想曲》作為本研究之研究對(duì)象,除了此作品是首優(yōu)秀的古箏作品外,也是感悟離家多年,從南方海島遠(yuǎn)赴北方之都學(xué)習(xí),對(duì)于家鄉(xiāng)的思念和感懷。古箏協(xié)奏曲《海峽幻想曲》涵蓋的情感寄托于媽祖此人物上,媽祖之于臺(tái)灣是民間廣為尊敬尊崇的信仰,融入大小鄉(xiāng)鎮(zhèn)人民的生活,成為文化基底上不可或缺的組成部份。筆者來(lái)自南方的臺(tái)灣,相似于中國(guó)東南沿海一帶的生活環(huán)境,兩地對(duì)于媽祖文化的了解大同小異,且求學(xué)時(shí)期的離鄉(xiāng)背井,演繹樂(lè)曲傳達(dá)出得「鄉(xiāng)情」、「回憶」有著較為深刻且不同的理解。希望藉由研究此作品,達(dá)到演奏上的精益求精,如若后續(xù)有廣大箏友再次演繹此作品時(shí),遂能成為借鑒,進(jìn)一步幫助演奏者更深入地理解此作品。
[Abstract]:Chinese traditional music is extensive and profound. It is full of unique local music all over China. Folk and local music has experienced a combination of growth and decline for thousands of years, which has been spread to this day, bringing rich conservation to Chinese culture. Chinese traditional music has also flourished. The author, from Taiwan, has been learning the Chinese traditional instrument zither since his childhood. Undergraduate began to study at the Central Conservatory of Music. This selection of Guzheng Concerto "Ma Zu Fantasia" as the research object of this study, in addition to this work is the first outstanding Zheng works, but also the feeling away from home for many years. From the southern island far to the north of the capital to study, to home thoughts and feelings. Guzheng Concerto "Strait Fantasia" covers the emotions of Ma Zu on this character. Ma Zu is a widely respected and respected folk belief in Taiwan, and has become an indispensable part of the cultural base of the people of small and small towns. I come from Taiwan in the south. Similar to the living environment along the southeast coast of China, the understanding of Ma Zu culture between the two places is much the same, and the study period of leaving their homes, the interpretation of music conveyed the "local feelings." "memory" has a more profound and different understanding. Hope to study this work, to achieve excellence in performance, if the follow-up if the vast number of Zheng friends again interpretation of this work, then can become a reference. Further help the performer to better understand the work.
【學(xué)位授予單位】:中央音樂(lè)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類(lèi)號(hào)】:J632.32
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