鄂西北房縣民歌及“詩(shī)經(jīng)民歌”現(xiàn)象的實(shí)地調(diào)查與研究
本文關(guān)鍵詞: 鄂西北 房縣民歌 詩(shī)經(jīng)民歌 詩(shī)經(jīng)民歌現(xiàn)象 音樂(lè)本體 交融性 出處:《中國(guó)音樂(lè)學(xué)院》2017年碩士論文 論文類(lèi)型:學(xué)位論文
【摘要】:房縣,古稱(chēng)房陵,位于湖北省的西北部,屬十堰市管轄。因“縱橫千里、山林四塞、其固高陵、如有房屋”而得名,是我國(guó)南北文化的交匯地帶。房縣民歌,則是流傳于房縣地區(qū)的一種口頭藝術(shù)形式,它與房縣人民的生產(chǎn)生活、風(fēng)俗習(xí)慣等密切相關(guān),經(jīng)歷代房縣人民口耳相傳、加工提煉,現(xiàn)有火炮歌、姐兒歌、號(hào)子歌、待尸歌、薅草歌等多個(gè)類(lèi)別。除此之外,房縣民歌中還存在一種將《詩(shī)經(jīng)》句子作為唱詞的特殊種類(lèi)--“詩(shī)經(jīng)民歌”。由于《詩(shī)經(jīng)》在我國(guó)久負(fù)盛名,自“詩(shī)經(jīng)民歌”被當(dāng)?shù)匚幕块T(mén)發(fā)現(xiàn)之后,房縣人便圍繞“詩(shī)經(jīng)民歌”開(kāi)展了一系列的維護(hù)活動(dòng),并受到社會(huì)各界的廣泛關(guān)注。而這種由“詩(shī)經(jīng)民歌”引發(fā)的維護(hù)活動(dòng),筆者將之稱(chēng)為“詩(shī)經(jīng)民歌”現(xiàn)象。本文主要以房縣民歌、“詩(shī)經(jīng)民歌”及“詩(shī)經(jīng)民歌”現(xiàn)象為考察對(duì)象,全文除緒論、結(jié)語(yǔ)外分為四個(gè)章節(jié)。第一章對(duì)房縣民歌的生存環(huán)境進(jìn)行了梳理,并進(jìn)一步探討房縣民歌與其生存環(huán)境的關(guān)系。第二章為歌師歌唱生活的歷史回溯與歌唱活動(dòng)的活態(tài)展現(xiàn)。主要通過(guò)對(duì)歌師的民歌人生、歌唱活動(dòng)的記錄與描述,呈現(xiàn)房縣民歌在不同時(shí)期的不同境況與當(dāng)下的存活樣態(tài)。第三章房縣民歌的音樂(lè)本體為本文的核心內(nèi)容,該章對(duì)房縣民歌的類(lèi)別、唱詞、音樂(lè)形態(tài)進(jìn)行了深入的“剖析”,并探討“詩(shī)經(jīng)民歌”的音樂(lè)歸屬、房縣民歌交融性特征等問(wèn)題。第四章則對(duì)房縣民歌四種維護(hù)途徑進(jìn)行了討論。本文得出的初步認(rèn)識(shí)為:第一、由于地緣關(guān)系、歷史原因,不同的音樂(lè)文化以人為載體匯入房縣,使房縣民歌呈現(xiàn)交融性特征。第二、民間喪俗儀式作為房縣民歌的原生環(huán)境并未改變,而曾作為房縣民歌原生環(huán)境的節(jié)慶活動(dòng)則逐漸被改造成次生環(huán)境。第三、當(dāng)今政策影響下,“身份化、級(jí)別化”后的歌師,是房縣民歌傳承、傳播的主要力量。第四、房縣“詩(shī)經(jīng)民歌”為含有《詩(shī)經(jīng)》唱詞元素的山歌、小調(diào)。而古代房縣文人和民間歌師選擇將《詩(shī)經(jīng)》作為唱詞的現(xiàn)象,可能受到尹吉甫與房縣的淵源關(guān)系的影響;而在當(dāng)代由“詩(shī)經(jīng)民歌”引發(fā)的“詩(shī)經(jīng)民歌”現(xiàn)象,則為當(dāng)代語(yǔ)境下,傳統(tǒng)民歌社會(huì)維護(hù)的典型案例。本文對(duì)房縣民歌的類(lèi)別、唱詞、音樂(lè)形態(tài)進(jìn)行了細(xì)致的梳理與分析,彌補(bǔ)了學(xué)術(shù)界在房縣民歌系統(tǒng)性研究上的匱乏,為鄂西北民歌的整體研究及邊緣地區(qū)的音樂(lè)文化研究提供個(gè)案。
[Abstract]:Fang County, known as Fangling in ancient times, is located in the northwest of Hubei Province, and is under the jurisdiction of Shiyan City. It is named for "thousands of miles, mountains and forests with four stoppers, and its name is Gaoling, if there is a house", which is the intersection of the north and south cultures of our country. Fangxian folk songs. It is a form of oral art spread in the Fangxian area, it is closely related to the production and life of the people of Fangxian County, customs and habits, etc., experienced the generation of the people of Fang County word of mouth, processing refining, the existing artillery songs, sister children's songs. Many categories, such as ballad, cadaver song, weeding song and so on. In addition. In Fangxian folk songs, there is a special kind of "Book of songs", which takes the "Book of songs" as the lyrics. Because the Book of songs has long been famous in our country, since the "Book of songs" was discovered by the local cultural departments. Fangxian people around the "Book of songs" carried out a series of maintenance activities, and received extensive attention from all walks of life, and this kind of "Book of songs" caused by the maintenance activities. The author calls it the "Book of songs" phenomenon. This article mainly take Fangxian folk songs, "Book of songs" and "Book of songs" phenomenon as the object of investigation, the full text of the introduction. The conclusion is divided into four chapters. The first chapter combs the living environment of Fangxian folk songs. And further explore the relationship between folk songs and their living environment in Fangxian. The second chapter is the historical retrospect of the singer's singing life and the living state of the singing activities, mainly through the folk song life of the singer, the recording and description of the singing activities. The third chapter Fangxian folk songs music Noumenon is the core content of this article, this chapter on the Fangxian folk songs categories, singing words. The music form has carried on the thorough "analysis", and has probed into the music attribution of "the Book of songs". Fangxian folk song blending characteristics and other issues. Chapter 4th discusses four ways to maintain Fangxian folk songs. The preliminary understanding of this paper is as follows: first, due to geographical relations, historical reasons. Different music culture as a carrier into Fangxian County, so that Fangxian folk songs show blending characteristics. Second, folk funeral ceremony as the original environment of Fangxian folk songs has not changed. As the original environment of folk songs in Fangxian, the festival activities were gradually transformed into secondary environment. Third, under the influence of current policy, the songwriter after "identity, grading" is the inheritance of folk songs in Fangxian. In 4th, the folk songs of the Book of songs in Fangxian County were folk songs with the elements of "the Book of songs", in minor, while in ancient Fangxian, literati and folk songwriters chose the Book of songs as lyrics. It may be influenced by the relationship between Yin Jifu and Fang County. In the contemporary "Book of songs" triggered by the "Book of songs" folk songs phenomenon, is the contemporary context, the traditional folk songs of the typical case of social maintenance. It makes up for the lack of systematic research on folk songs in Fangxian and provides a case study for the overall study of folk songs in Northwest Hubei and the study of music culture in marginal areas.
【學(xué)位授予單位】:中國(guó)音樂(lè)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類(lèi)號(hào)】:J607
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