本文關(guān)鍵詞：象征:一把打開生命奧秘之門的鑰匙——從易卜生戲劇的象征手法切入，由筆耕文化傳播整理發(fā)布。

1.

Reality.Illusion.Personality--Intepretation of Ibsen's play Theory

真實·幻覺·性格——易卜生戲劇理論解讀

2.

Modernity of Spiritual Connotation in the Dramas of Cao Yu and Ibsen

曹禺和易卜生戲劇精神內(nèi)涵的現(xiàn)代性表現(xiàn)

3.

Change of Status of Wedlock Men and Women in Ibsen s Dramas;

易卜生戲劇中婚姻男女地位與關(guān)系的變遷

4.

The Mysterious Tendency of Ibsen s Drama and Western Cultural Tradition;

易卜生戲劇的神秘傾向與西方文化傳統(tǒng)

5.

A Green Interpretation of Henrik Ibsen's The Wild Duck

綠色之思 道德之藝——易卜生戲劇《野鴨》的現(xiàn)代闡釋

6.

Symbol as a Key to the Door of Life Mystery:The Symbolic Technique in Ibsen s Dramas;

象征:一把打開生命奧秘之門的鑰匙——從易卜生戲劇的象征手法切入

7.

Teichoscopia and Claustrophobia:Some Characteristics of the Ibsen Stage

透墻而視與恐狹效應(yīng):易卜生戲劇的兩大技巧(英文)

8.

Women,Freedom and Transgression:A Perspective on Ibsen’s Plays A Doll’s House and Ghosts

女性,自由與僭越——易卜生戲劇《玩偶之家》與《群鬼》解讀新視角(英文)

9.

Have you ever see ibsen's play?

你看過易卜生的戲劇嗎？

10.

Modern theatre began in the 19th century with the plays of Ibsen and Chekhov.

現(xiàn)代戲劇始于19世紀(jì)，其代表為易卜生和契訶夫，

11.

On Ibsen′s and Чехов′s Influence on the Development of Chinese Realistic Drama;

論易卜生、契訶夫?qū)χ袊F(xiàn)實主義戲劇發(fā)展的影響

12.

Duse:Italian actress who was highly acclaimed as a heroine in the plays of Gabriele D'annunzio and Henrik Ibsen.

"杜絲:意大利女演員,因扮演加布里�！む嚹险诤秃嗬恕ひ撞飞膽騽≈械呐魅斯�."

13.

The Diversity of Feminist Discourse in May Fourth Era Advanced by the Translation of Henrik Ibsen and Oscar Wilde s Plays;

出走與歸來——從易卜生與王爾德戲劇中出走女性的譯介看“五四”女權(quán)話語的多樣性

14.

Ibsen’s Dramatic Aesthetics:Features and Origins;

四因融一的詩學(xué)品質(zhì)和兩因兼?zhèn)涞膭?chuàng)作方法——論易卜生的戲劇詩學(xué)特質(zhì)及其淵源

15.

Lines from Ibsen's play A Doll's House ....

原來她正翻到易卜生的劇本《娜拉》。

16.

On the Ironical Features in Love s Comedy;

論易卜生的《愛情的喜劇》中的反諷特征

17.

Research of Fleeing Theme in Cao Yu and Ibsen's Dramas

曹禺與易卜生家庭劇中出走主題探微

18.

An Analysis of the "Trollish " in Ibesn's Later Plays

從《建筑大師》看易卜生劇作中的“妖性”

  本文關(guān)鍵詞：象征:一把打開生命奧秘之門的鑰匙——從易卜生戲劇的象征手法切入，由筆耕文化傳播整理發(fā)布。