【摘要】：進(jìn)入新世紀(jì)以來,舞臺美術(shù)連同整個戲劇繼續(xù)發(fā)生著深刻的變化。舞臺美術(shù)設(shè)計(jì)者已作為演出作者而存在;戲劇可以在任何地點(diǎn)發(fā)生;舞臺出現(xiàn)了去物質(zhì)化的趨勢。這些現(xiàn)象說明,戲劇或舞臺美術(shù)原有方式和概念的界限在向外延展,與之相關(guān)因素之間的界限在相互交錯。這無疑代表著舞臺美術(shù)發(fā)展的最新趨勢和特點(diǎn)。
[Abstract]:Since the beginning of the new century, stage art, together with the whole drama, has continued to undergo profound changes. The stage art designer has existed as the author of the performance; the play can take place anywhere; there is a trend of dematerialization on the stage. These phenomena show that the boundaries of the original ways and concepts of drama or stage art are extended to the extension, and the boundaries between the related factors are intertwined with each other. This undoubtedly represents the latest trend and characteristics of the development of stage art.
【作者單位】： 中央戲劇學(xué)院舞臺美術(shù)系;
【分類號】：J813
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本文編號：2528809