【摘要】：正國(guó)內(nèi)歌劇舞臺(tái),從凋零到繁茂,經(jīng)過(guò)最近十余年的持續(xù)發(fā)展,2016年進(jìn)入一個(gè)趨于正常穩(wěn)健的收獲之季。全國(guó)各地首演或復(fù)演的中外經(jīng)典與原創(chuàng)歌劇,大約在五十部百余場(chǎng)左右。相比"井噴"式的2011年和2015年,在數(shù)量上可能并不算是創(chuàng)新紀(jì)錄,但在藝術(shù)質(zhì)量與市場(chǎng)效應(yīng)上,毫無(wú)疑問(wèn)均有不同程度的突破與超越。而在歌劇輸出對(duì)外交流方面,又付諸新的舉動(dòng)和新
[Abstract]:The opera stage in China, from withering to luxuriant, has entered a normal and steady harvest season in 2016 after more than ten years of continuous development. Chinese and foreign classical and original operas premiered or repeated all over the country, about 50 or so. Compared with "blowout" 2011 and 2015, it may not be a record in quantity, but there is no doubt that there are different degrees of breakthrough and transcendence in artistic quality and market effect. On the other hand, in the aspect of opera export to foreign exchanges, it has put into practice new actions and new moves.
【分類(lèi)號(hào)】：J822

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