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從承應(yīng)制度看古代樂籍制度和西方贊助制度——以清代“侉戲”和“京劇”為例

發(fā)布時間:2019-08-06 07:54
【摘要】:"承應(yīng)"一詞并非清代專有,但是相對于其他歷史時期來說,"承應(yīng)"在清代更加術(shù)語化,更加體系化。本文主要以探尋承應(yīng)制度下的侉戲和京劇為例,并進一步闡述承應(yīng)制度與古代樂籍制度下的輪值輪訓(xùn)制和西方贊助制度的關(guān)系。
[Abstract]:The word "inheriting" is not exclusive in Qing Dynasty, but compared with other historical periods, "Chengying" is more tacit and systematic in Qing Dynasty. This paper mainly takes the opera and Beijing opera under the system of tolerance as an example, and further expounds the relationship between the system of bearing and the system of rotation and rotation under the system of ancient music books and the system of sponsorship in the West.
【作者單位】: 四川音樂學(xué)院黨委宣傳部;山東魯中學(xué)院;
【基金】:2015年四川省教育廳人文社科重點課題“從承應(yīng)制度看中國古代樂籍制度和西方贊助制度——以清代侉戲和京劇為例”階段性成果,項目編號:15SA0129
【分類號】:J617
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本文編號:2523424

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