【摘要】：正去年年底,《解放日報》曾經(jīng)刊登一篇短文,題為《上海民間劇團缺品牌,更缺品位》,作者認為,作為上海話劇市場的主力軍,民間劇團的表現(xiàn)十分不佳。隨著白領戲劇質(zhì)量連年下降,"也讓上海話劇賀歲檔失去了叫得響的本土品牌"。更為糟糕的是,與"外來"話劇相比,上海的本土作品還缺失了品位,"職場、情感、婚姻題材,惡搞、荒誕、爆笑之風,造就了一大批千篇一律的賀歲話劇,令觀眾感到審美疲勞"。在此,作者分析的雖然是賀歲劇現(xiàn)象,但就整體而言,民間劇團在上海文化市場上的份量輕,所刨作出來的作品質(zhì)量低,卻是不爭
[Abstract]:At the end of last year, Jiefang Daily published a short article entitled "Shanghai Folk Opera Company lacks Brand, but also lacks Grade." the author believes that, as the main force in the Shanghai drama market, the performance of the folk drama troupe is very poor. With the decline in the quality of white-collar drama year after year, "Shanghai drama New year celebration has also lost its loud local brand." To make matters worse, compared with the "foreign" drama, Shanghai's local works also lack taste, "the workplace, emotion, marriage theme, spoofing, absurd, funny style, resulting in a large number of the same New year drama," Make the audience feel aesthetic fatigue. Here, although the author analyzes the phenomenon of New year's drama, on the whole, the folk drama troupe has a light weight in the Shanghai cultural market, and the quality of the works it has produced is low, but it is indisputable that the folk drama troupe has a light weight in the Shanghai cultural market.
【分類號】：J809.2
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本文編號：2491695