【摘要】：正戲劇理論的研究,離不開對觀眾審美體驗的考察。戲劇作品被創(chuàng)作出來,就是要被觀眾欣賞,經(jīng)受審美與批評。這是戲劇藝術的使命,也是其價值所在。自亞里士多德以降,這一點從來都是理論家們要思考的重要問題之一。在百余年的戲劇本質論戰(zhàn)中,有的理論家從觀眾的角度,對戲劇創(chuàng)作提出要求;有的則站在作品的角度,討論作品應該如何吸引觀眾的興趣,以此探究戲劇的基本特征。其中,有相當部分內容是與戲劇懸念有密切關系的。戲劇懸念關系到觀眾的審美、作品的結構和劇作者的創(chuàng)作,
[Abstract]:The study of positive drama theory can not be separated from the investigation of audience aesthetic experience. Drama works are created to be appreciated by the audience and subjected to aesthetic and criticism. This is the mission of drama art, but also its value. This has always been one of the important issues that theorists have to think about since Aristotle. In the debate on the essence of drama for more than a hundred years, some theorists put forward requirements for drama creation from the perspective of audience, while others discussed how works should attract the interest of the audience from the point of view of works, so as to explore the basic characteristics of drama. Among them, a considerable part of the content is closely related to drama suspense. Drama suspense is related to the aesthetics of the audience, the structure of the work and the creation of the playwright.
【作者單位】： 河南大學文學院;
【分類號】：J804

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