【摘要】：傳統(tǒng)藏戲故事背后大多隱藏著某種深層的"行為"結(jié)構(gòu)。這些"行為"結(jié)構(gòu)蘊(yùn)含著濃厚的象征意味,對(duì)理解傳統(tǒng)藏戲具有十分重要的意義。傳統(tǒng)藏戲中具有象征意味的"行為"結(jié)構(gòu)主要有"放逐與回歸""分離與重逢""犧牲與拯救""死亡與復(fù)活"等。"行為"結(jié)構(gòu)緊緊圍繞著"善與惡"和"神圣與世俗"等價(jià)值結(jié)構(gòu)展開。價(jià)值結(jié)構(gòu)決定著傳統(tǒng)藏戲故事的基本走向和情節(jié)的基本結(jié)構(gòu)。
[Abstract]:Most of the traditional Tibetan opera stories hide some deep "behavior" structure. These "behavior" structures contain strong symbolism and are of great significance to the understanding of traditional Tibetan opera. The symbolic structure of "behavior" in traditional Tibetan opera is "exile and return", "separation and reunion", "sacrifice and salvation", "death and resurrection" and so on. " The structure of behavior revolves around the value structures of good and evil and sacred and secular. The value structure determines the basic trend of the traditional Tibetan opera story and the basic structure of the plot.
【作者單位】： 成都大學(xué)文學(xué)與新聞傳播學(xué)院;
【基金】：教育部人文社會(huì)科學(xué)研究項(xiàng)目西部和邊疆地區(qū)項(xiàng)目資助,項(xiàng)目名稱:“新媒體環(huán)境下康巴藏戲的傳承與創(chuàng)新研究”,項(xiàng)目編號(hào):14XJC850003
【分類號(hào)】：J825
，

本文編號(hào)：2482375