【摘要】：嶺南是粵劇的發(fā)源地,也是陶塑藝術(shù)之鄉(xiāng)�；泟∨c陶塑藝術(shù)作為嶺南兩大本土文化,一直是嶺南人的精神、情趣和審美的體現(xiàn)。它們在發(fā)展過程中相互滲透、相互影響,呈現(xiàn)出嶺南文化的傳統(tǒng)特質(zhì)。對嶺南瓦脊公仔的粵劇特征進(jìn)行研究,探討非物質(zhì)文化遺產(chǎn)保護(hù)下的瓦脊公仔與粵劇藝術(shù),對優(yōu)秀民間傳統(tǒng)技藝的傳承具有啟迪作用。
[Abstract]:Lingnan is not only the birthplace of Cantonese opera, but also the hometown of pottery and sculpture art. Cantonese opera and pottery art, as the two local cultures of Lingnan, have always been the embodiment of Lingnan people's spirit, taste and aesthetics. They permeate and influence each other in the process of development, showing the traditional characteristics of Lingnan culture. This paper studies the characteristics of Cantonese opera in Lingnan Wachi dolls, and probes into the Wagi dolls and Cantonese opera art under the protection of intangible cultural heritage, which plays an enlightening role in the inheritance of excellent folk traditional skills.
【作者單位】： 廣州大學(xué)美術(shù)與設(shè)計(jì)學(xué)院;
【基金】：2014廣東省哲學(xué)社會科學(xué)“十二五”規(guī)劃基金項(xiàng)目“二十世紀(jì)廣東陶瓷研究”(編號:GD12XTS08)階段性成果
【分類號】：J825
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本文編號：2478782