淺析歌劇《野火春風(fēng)斗古城》主要人物形象塑造
發(fā)布時間：2019-04-15 19:25
【摘要】：歌劇是一種綜合的藝術(shù)形式,它集詩歌、戲劇、聲樂、器樂、舞蹈等為一體,通過戲劇性的故事情節(jié),細(xì)膩的人物形象塑造,來表達(dá)其劇目的深刻內(nèi)涵。歌劇《野火春風(fēng)斗古城》可以說是一部非常成功的歌劇作品,它是在故事立意上頗有新意,用現(xiàn)代年輕人的眼光來看待抗日戰(zhàn)爭中的愛國主義故事,意義深刻,教育性非常強(qiáng);在故事的情節(jié)安排上讓三條不同的線索相互交織,不同于中國傳統(tǒng)戲劇中的單線索敘述方式,使得情節(jié)內(nèi)容豐富,耐人尋味;在人物形象塑造上打破了臉譜化嚴(yán)重的中國傳統(tǒng)人物形象塑造模式,所塑造的人物形象不論是正面英雄人物如金環(huán)、銀環(huán)、楊母、楊曉冬等,還是反面人物如高自萍、多田,以及穿插于其中的現(xiàn)代人物大學(xué)生陳瑤,個個都栩栩如生,惟妙惟肖。該歌劇打破了傳統(tǒng)的單面的人物形象塑造法,讓每個人物都有血有肉,將他們的內(nèi)心世界展現(xiàn)給觀眾,從而更深入人心;在多元化音樂創(chuàng)作上真正做到了中西合璧、土洋結(jié)合,還用現(xiàn)代通俗音樂和日本音樂將劇情所能涉及到的不同人物身份和文化背景刻畫的十分得體。這個部歌劇稱得上是新時期的中國民族歌劇的代表。 作為本世紀(jì)新誕生的歌劇,在公開演出之后好評如潮,國內(nèi)許多報刊雜志都發(fā)表了不少文章,其中絕大多數(shù)都是關(guān)于此劇創(chuàng)作表演的新聞報道和簡單描述,而對《野火春風(fēng)斗古城》這部歌劇角色的唱段與演唱和對劇中角色音樂形象塑造都未有深入的專題性的研究。而劇中人物的唱腔是音樂形象塑造的關(guān)鍵,人物具有個性的唱腔通過對戲劇發(fā)展到不同階段人物性格的不斷體現(xiàn),尤其是對戲劇矛盾沖突中人物內(nèi)心的描述最終完成對人物的塑造。而對于歌劇《野火春風(fēng)斗古城》中的人物形象塑造進(jìn)行專題性的研究,對于把握整部歌劇的藝術(shù)特征和主題思想具有重要的作用。通過對于劇中主要人物的戲劇形象和音樂形象進(jìn)行較為詳盡的分析,提高了對于歌劇的主題的更深層次的理解和認(rèn)識,也為更好的詮釋劇中人物提供了一定的依據(jù)。 論文共分為四個章節(jié)來論述。第一章:對原著小說《野火春風(fēng)斗古城》的創(chuàng)作背景及作者進(jìn)行了較為詳細(xì)的介紹,并對主創(chuàng)團(tuán)隊創(chuàng)作歌劇《野火春風(fēng)斗古城》的過程進(jìn)行了分析。第二章:介紹了在歌劇《野火春風(fēng)斗古城》中所運用的豐富而新穎的音樂元素。第三章:是本論文的重點章節(jié),通過對劇中人物的戲劇形象和音樂形象兩大方面的分析,重點是對于人物唱段的解析,以總結(jié)出劇中人物形象塑造的特點。第四章:通過分析這部歌劇從而引發(fā)的對于中國歌劇的啟示,在實踐中得出經(jīng)驗,為中國歌劇的發(fā)展指出了一條有別于西方古典歌劇、中國傳統(tǒng)戲曲以及純粹的西方現(xiàn)代音樂劇的發(fā)展道路。
[Abstract]:Opera is a comprehensive art form, which combines poetry, drama, vocal music, instrumental music, dance and so on. It expresses the profound connotation of its repertoire through dramatic storyline and delicate character image. It can be said that the opera "the Old City of the Wild Fire Spring Wind fighting" is a very successful opera work. It is quite new in the original idea of the story. The patriotic story in the War of Resistance against Japan from the perspective of the modern young people has a profound significance and a very strong educational character. The plot arrangement of the story allows three different clues to interweave with each other, which is different from the single-clue narration in the traditional Chinese drama, which makes the plot rich in content and intriguing; In shaping characters, we have broken the pattern of image-building of Chinese traditional characters with serious Facebook profile. Whether they are positive heroes such as gold rings, silver rings, Yang mother, Yang Xiaodong, etc., or negative characters such as Gao Ziping and Daotian, the characters created by them are not only positive heroes such as gold rings, silver rings, Yang mother, Yang Xiaodong, etc., And interspersed in the modern character Chen Yao, all of them are lifelike, vivid. The opera broke the traditional one-sided character image creation method, let each character have flesh and blood, show their inner world to the audience, thus more deeply in the hearts of the people; In the creation of diversified music really achieved a combination of Chinese and western, local and foreign, but also with modern popular music and Japanese music to the plot can be involved in the identity of different characters and cultural background portrayal is very appropriate. This opera can be regarded as the representative of the Chinese national opera of the new period. As the newly born opera of this century, after public performances, many newspapers and magazines have published a lot of articles, the vast majority of which are news reports and simple descriptions of the drama's creation and performance. However, there is no in-depth thematic study on the singing and singing of the opera character and the creation of the musical image of the characters in the opera, "the Old Town of the Wild Fire Spring Wind fights the Old City". And the singing voice of the characters in the play is the key to the shaping of the musical image, and the singing cavity of the characters has the individuality through the development of the drama to the different stages of the character of the continuous embodiment of the characters. In particular, the inner description of the characters in the conflict of dramatic contradictions finally completes the characterization of the characters. On the other hand, it is of great importance for us to grasp the artistic characteristics and thematic thoughts of the whole opera by studying the characters in the opera "the Old Town of the Wild Fire Spring Wind fighting". Through a more detailed analysis of the dramatic image and musical image of the main characters in the play, it improves the deeper understanding and understanding of the theme of the opera, and also provides a certain basis for better interpretation of the characters in the play. The thesis is divided into four chapters. The first chapter introduces the creation background and the author of the original novel "the Old City of the Wild Fire Spring Wind Dipper", and analyzes the process of creating the opera "the Old City of the Wild Fire Spring Wind Dipper" by the main creative team. The second chapter introduces the rich and novel musical elements used in the opera "the Old City of the Wild Fire Spring Wind Dipper". The third chapter is the key chapter of this paper. Through the analysis of the dramatic image and the musical image of the characters in the play, the emphasis is on the analysis of the characters' singing segments, in order to sum up the characteristics of the characters' image shaping in the play. Chapter four: through the analysis of the enlightenment to Chinese opera caused by this opera, we get the experience in practice, and point out a different from the western classical opera for the development of Chinese opera. The development of Chinese traditional opera and pure western modern musicals.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J832
本文編號：2458421
[Abstract]:Opera is a comprehensive art form, which combines poetry, drama, vocal music, instrumental music, dance and so on. It expresses the profound connotation of its repertoire through dramatic storyline and delicate character image. It can be said that the opera "the Old City of the Wild Fire Spring Wind fighting" is a very successful opera work. It is quite new in the original idea of the story. The patriotic story in the War of Resistance against Japan from the perspective of the modern young people has a profound significance and a very strong educational character. The plot arrangement of the story allows three different clues to interweave with each other, which is different from the single-clue narration in the traditional Chinese drama, which makes the plot rich in content and intriguing; In shaping characters, we have broken the pattern of image-building of Chinese traditional characters with serious Facebook profile. Whether they are positive heroes such as gold rings, silver rings, Yang mother, Yang Xiaodong, etc., or negative characters such as Gao Ziping and Daotian, the characters created by them are not only positive heroes such as gold rings, silver rings, Yang mother, Yang Xiaodong, etc., And interspersed in the modern character Chen Yao, all of them are lifelike, vivid. The opera broke the traditional one-sided character image creation method, let each character have flesh and blood, show their inner world to the audience, thus more deeply in the hearts of the people; In the creation of diversified music really achieved a combination of Chinese and western, local and foreign, but also with modern popular music and Japanese music to the plot can be involved in the identity of different characters and cultural background portrayal is very appropriate. This opera can be regarded as the representative of the Chinese national opera of the new period. As the newly born opera of this century, after public performances, many newspapers and magazines have published a lot of articles, the vast majority of which are news reports and simple descriptions of the drama's creation and performance. However, there is no in-depth thematic study on the singing and singing of the opera character and the creation of the musical image of the characters in the opera, "the Old Town of the Wild Fire Spring Wind fights the Old City". And the singing voice of the characters in the play is the key to the shaping of the musical image, and the singing cavity of the characters has the individuality through the development of the drama to the different stages of the character of the continuous embodiment of the characters. In particular, the inner description of the characters in the conflict of dramatic contradictions finally completes the characterization of the characters. On the other hand, it is of great importance for us to grasp the artistic characteristics and thematic thoughts of the whole opera by studying the characters in the opera "the Old Town of the Wild Fire Spring Wind fighting". Through a more detailed analysis of the dramatic image and musical image of the main characters in the play, it improves the deeper understanding and understanding of the theme of the opera, and also provides a certain basis for better interpretation of the characters in the play. The thesis is divided into four chapters. The first chapter introduces the creation background and the author of the original novel "the Old City of the Wild Fire Spring Wind Dipper", and analyzes the process of creating the opera "the Old City of the Wild Fire Spring Wind Dipper" by the main creative team. The second chapter introduces the rich and novel musical elements used in the opera "the Old City of the Wild Fire Spring Wind Dipper". The third chapter is the key chapter of this paper. Through the analysis of the dramatic image and the musical image of the characters in the play, the emphasis is on the analysis of the characters' singing segments, in order to sum up the characteristics of the characters' image shaping in the play. Chapter four: through the analysis of the enlightenment to Chinese opera caused by this opera, we get the experience in practice, and point out a different from the western classical opera for the development of Chinese opera. The development of Chinese traditional opera and pure western modern musicals.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J832
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