愛美劇運(yùn)動的歷史檢討
發(fā)布時間：2019-04-11 19:18
【摘要】： 愛美劇運(yùn)動是中國戲劇現(xiàn)代化進(jìn)程中的一個重要環(huán)節(jié),這一戲劇運(yùn)動的開展,實(shí)現(xiàn)了從早期話劇到話劇完成階段的重要轉(zhuǎn)折。愛美劇運(yùn)動在二十年代盛極一時,其影響遍及全國,又因為本身存在的不足漸趨衰落,本文力圖對愛美劇運(yùn)動的興起和衰落做一全面的觀照,對導(dǎo)致其走向衰落的理論和實(shí)踐缺陷做出歷史性的檢討。 全文分為四章: 第一章具體闡述了愛美劇運(yùn)動的發(fā)展歷程。五四期間關(guān)于新舊戲劇的激烈爭論和文明新戲的慘敗是愛美劇運(yùn)動興起的歷史背景。以《華倫夫人之職業(yè)》演出失敗為肇始,愛美劇運(yùn)動的熱潮在全國范圍內(nèi)展開,民眾戲劇社、上海戲劇協(xié)社和北京人藝戲劇專門學(xué)校分別成為愛美劇運(yùn)動在理論、實(shí)踐和戲劇教育方面的重要代表。對舊戲和文明新戲的批判在愛美劇運(yùn)動中得到了進(jìn)一步的發(fā)展。 第二章詳細(xì)論述了愛美劇運(yùn)動的理論來源和建樹。愛美劇運(yùn)動承接了五四學(xué)習(xí)西方的良好傳統(tǒng),廣泛借鑒外國戲劇理論。對外國戲劇有針對性的引進(jìn)和借鑒促進(jìn)了愛美劇運(yùn)動理論的確立和發(fā)展。陳大悲的長文《愛美的戲劇》作為愛美劇運(yùn)動的重要理論成果,成為戲劇運(yùn)動的指導(dǎo)書籍。愛美劇運(yùn)動深受西方小劇場運(yùn)動影響,在戲劇觀、戲劇的民眾化等方面取得了巨大成就。 第三章全面展示了愛美劇運(yùn)動在實(shí)踐方面的探索。愛美劇運(yùn)動使學(xué)生演劇從自發(fā)到自覺,成為一場有目的、有理論、有組織的戲劇運(yùn)動。洪深領(lǐng)導(dǎo)下的上海戲劇協(xié)社是愛美劇運(yùn)動實(shí)踐領(lǐng)域的重鎮(zhèn),真正使愛美劇運(yùn)動的理論倡導(dǎo)得到了實(shí)現(xiàn)。建立劇本制、提高戲劇的文學(xué)性是愛美劇運(yùn)動的重要方面,陳大悲、汪仲賢和蒲伯英等愛美劇運(yùn)動的倡導(dǎo)者身體力行,創(chuàng)作了一大批劇本,在劇本創(chuàng)作方面初見成績。人藝戲劇專門學(xué)校是愛美劇運(yùn)動發(fā)展的重要轉(zhuǎn)折,也開創(chuàng)了中國戲劇教育事業(yè)的先河。 第四章深入探討了愛美劇運(yùn)動發(fā)展中存在的重要問題。對愛美劇運(yùn)動在話劇史上的意義進(jìn)行肯定。對劇本創(chuàng)作、表演體系和舞臺美術(shù)等愛美劇運(yùn)動中實(shí)踐與理論之間的差距進(jìn)行分析。業(yè)余化和專業(yè)化之間的矛盾是困擾早期戲劇發(fā)展的重要問題,也是愛美劇運(yùn)動走向衰落的重要原因,對這一問題的討論造成了戲劇向職業(yè)化道路發(fā)展的趨勢。 結(jié)語:愛美劇運(yùn)動在特殊的歷史背景下興起,致力于創(chuàng)建新的戲劇,極力掃除文明新戲殘留的弊病,在理論探討和實(shí)踐探索方面都取得了巨大成就,同時,由于歷史的慣性和愛美劇運(yùn)動本身的缺陷,愛美劇運(yùn)動的理論與實(shí)踐之間存在巨大差距,留下了諸多遺憾,但它畢竟實(shí)現(xiàn)了中國現(xiàn)代戲劇運(yùn)動的最初理想,為戲劇向職業(yè)化、正規(guī)化方向發(fā)展打下了基礎(chǔ)。
[Abstract]:The love-American drama movement is an important link in the process of Chinese drama modernization. The development of this drama movement has realized an important turning point from the early stage of drama to the stage of completion of drama. In the 1920s, the love-American drama movement flourished, its influence spread all over the country, and because of its own shortcomings gradually declining, this article tries to make a comprehensive look at the rise and decline of the love-American drama movement. Make a historical review of the theoretical and practical defects that lead to its decline. The full text is divided into four chapters: the first chapter elaborates the development of the American drama movement. During the May 4th Movement, the fierce debate about new and old drama and the fiasco of civilization and new drama are the historical background of the rise of the love-American drama movement. Starting with the failure of "Mrs. Warren's career," the upsurge of the American drama movement was launched throughout the country. The popular Drama Society, the Shanghai Drama Association and the Beijing Academy of people's Arts and Drama became the theory of the love American drama movement, respectively. An important representative of practice and drama education. The criticism of the old drama and the civilization and the new play has been further developed in the love-American drama movement. The second chapter discusses the theoretical sources and achievements of the American drama movement in detail. The American drama movement carried on the good tradition of learning from the West in May 4th Movement, and widely used foreign drama theory for reference. The introduction and reference of foreign drama promoted the establishment and development of Emmy drama movement theory. As an important theoretical achievement of the amicable drama movement, Chen Da-Bei's long text becomes the guide book of drama movement. The American drama movement is deeply influenced by the small theatre movement in the west, and has made great achievements in the aspects of drama view, drama populization and so on. The third chapter fully shows the exploration of the Emmy drama movement in practice. Love American drama movement makes students play from spontaneous to self-conscious, become a purposeful, theoretical, organized drama movement. The Shanghai Drama Association, led by Hong Shen, is the important town in the field of practice of the American drama movement, which really makes the theoretical advocacy of the love American drama movement come true. It is an important aspect of the American drama movement to establish the script system and improve the literary character of the drama. The advocates of the love American drama movement, such as Chen Daziao, Wang Zhongxian and dandelion, have done their best to create a large number of plays, and have made initial achievements in the field of script creation. The special school of arts and drama is an important turning point in the development of the American drama movement, and it also creates a pioneer in the education of drama in China. The fourth chapter deeply discusses the important problems existing in the development of Emmy drama movement. To the love American drama movement in the drama history to carry on the affirmation. This paper analyzes the gap between practice and theory in drama-loving movement, such as script creation, performance system and stage art. The contradiction between amateurism and specialization is not only an important problem that puzzles the development of drama in the early stage, but also an important reason for the decline of the love-American drama movement. The discussion on this issue has resulted in the trend of the development of drama to professionalization. Conclusion: the love-American drama movement rose under the special historical background, devotes itself to creating new plays, strives to eliminate the remaining evils of civilization and new plays, and has made great achievements in both theoretical and practical exploration, and at the same time has made great achievements in both theoretical and practical exploration. Due to the historical inertia and the defects of the Ami drama movement itself, there is a huge gap between the theory and practice of the Ami drama movement, which leaves many regrets, but after all, it has realized the original ideal of the modern Chinese drama movement and has become professional for the drama. Regularization has laid the foundation for the direction of development.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J824
本文編號：2456680
[Abstract]:The love-American drama movement is an important link in the process of Chinese drama modernization. The development of this drama movement has realized an important turning point from the early stage of drama to the stage of completion of drama. In the 1920s, the love-American drama movement flourished, its influence spread all over the country, and because of its own shortcomings gradually declining, this article tries to make a comprehensive look at the rise and decline of the love-American drama movement. Make a historical review of the theoretical and practical defects that lead to its decline. The full text is divided into four chapters: the first chapter elaborates the development of the American drama movement. During the May 4th Movement, the fierce debate about new and old drama and the fiasco of civilization and new drama are the historical background of the rise of the love-American drama movement. Starting with the failure of "Mrs. Warren's career," the upsurge of the American drama movement was launched throughout the country. The popular Drama Society, the Shanghai Drama Association and the Beijing Academy of people's Arts and Drama became the theory of the love American drama movement, respectively. An important representative of practice and drama education. The criticism of the old drama and the civilization and the new play has been further developed in the love-American drama movement. The second chapter discusses the theoretical sources and achievements of the American drama movement in detail. The American drama movement carried on the good tradition of learning from the West in May 4th Movement, and widely used foreign drama theory for reference. The introduction and reference of foreign drama promoted the establishment and development of Emmy drama movement theory. As an important theoretical achievement of the amicable drama movement, Chen Da-Bei's long text becomes the guide book of drama movement. The American drama movement is deeply influenced by the small theatre movement in the west, and has made great achievements in the aspects of drama view, drama populization and so on. The third chapter fully shows the exploration of the Emmy drama movement in practice. Love American drama movement makes students play from spontaneous to self-conscious, become a purposeful, theoretical, organized drama movement. The Shanghai Drama Association, led by Hong Shen, is the important town in the field of practice of the American drama movement, which really makes the theoretical advocacy of the love American drama movement come true. It is an important aspect of the American drama movement to establish the script system and improve the literary character of the drama. The advocates of the love American drama movement, such as Chen Daziao, Wang Zhongxian and dandelion, have done their best to create a large number of plays, and have made initial achievements in the field of script creation. The special school of arts and drama is an important turning point in the development of the American drama movement, and it also creates a pioneer in the education of drama in China. The fourth chapter deeply discusses the important problems existing in the development of Emmy drama movement. To the love American drama movement in the drama history to carry on the affirmation. This paper analyzes the gap between practice and theory in drama-loving movement, such as script creation, performance system and stage art. The contradiction between amateurism and specialization is not only an important problem that puzzles the development of drama in the early stage, but also an important reason for the decline of the love-American drama movement. The discussion on this issue has resulted in the trend of the development of drama to professionalization. Conclusion: the love-American drama movement rose under the special historical background, devotes itself to creating new plays, strives to eliminate the remaining evils of civilization and new plays, and has made great achievements in both theoretical and practical exploration, and at the same time has made great achievements in both theoretical and practical exploration. Due to the historical inertia and the defects of the Ami drama movement itself, there is a huge gap between the theory and practice of the Ami drama movement, which leaves many regrets, but after all, it has realized the original ideal of the modern Chinese drama movement and has become professional for the drama. Regularization has laid the foundation for the direction of development.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J824
【引證文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前2條
1 高海燕;“窗洞”的藝術(shù)[D];四川外語學(xué)院;2011年
2 林可;論校園戲劇在中國現(xiàn)代戲劇建構(gòu)中的作用[D];浙江師范大學(xué);2011年
，本文編號：2456680
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