發(fā)布時間：2019-04-02 16:03

【摘要】：正大都會歌劇院2016-2017演出季有著許多令人期待的演出,包括新的《特里斯坦與伊索爾德》,百年來第一位女性作曲家的作品,女高音蕾內(nèi)·弗萊明(Renee Fleming)的告別演出,以及搬至林肯中心50周年慶等,但是在談藝術(shù)成就前,讓我們先來看看不免有煞風(fēng)景之嫌的商業(yè)數(shù)字。好消息是大都會上一季沒有赤字。歌劇院不是盈利公司,不需面對股東要求利益回報的壓力,但收支平衡仍是任何一個非營利單位要永續(xù)經(jīng)營的要件,如果每年都要彌補(bǔ)虧空,做起藝術(shù)規(guī)劃來就會縛手縛腳、揮灑不開。大都會在多
[Abstract]:The Met has many promising performances in the 2016 / 2017 season, including the new Tristan and Isolde, the work of the first female composer in 100 years, and the farewell performance of the soprano Rene Fleming (Renee Fleming). And move to Lincoln Center for the 50th Anniversary, but before we talk about artistic achievements, let's take a look at the business numbers that we can't help but take a look at. The good news is that the metropolis didn't run a deficit last quarter. The Opera House is not a profit-making company and does not have to face the pressure of shareholders to demand a return on its interests, but the balance of payments is still an essential requirement for any non-profit unit to operate on a sustainable basis. If we have to make up for the deficit every year, artistic planning will bind our hands and feet. You can't spill it. Metrocity is more
【分類號】：J832
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本文編號：2452695