【摘要】： 茂腔戲是流行于山東東部地區(qū)具有濃郁地方特色的劇種。在其發(fā)展過程中不僅繼承了自身的優(yōu)秀傳統(tǒng),而且還充分吸收其他劇種的有益因素,并不斷創(chuàng)新,使茂腔音樂在對(duì)傳統(tǒng)的繼承中得到不斷發(fā)展。 本論文采用民族音樂學(xué)的理論和方法,以青島市茂腔劇團(tuán)為個(gè)案研究對(duì)象,把該劇團(tuán)1980年以來在不同階段對(duì)茂腔音樂的繼承與發(fā)展情況作為主要內(nèi)容,對(duì)傳統(tǒng)茂腔音樂的板腔、曲牌、音樂形態(tài)特征進(jìn)行歸納和分析,闡述了茂腔音樂對(duì)京劇音樂的吸收情況,又以青島市茂腔劇團(tuán)的創(chuàng)作劇目為例,對(duì)傳統(tǒng)茂腔音樂的發(fā)展現(xiàn)狀作了說明。藉此探求劇團(tuán)對(duì)劇種生存和發(fā)展的影響,以及劇團(tuán)繁榮與劇種發(fā)展之間存在的相互促進(jìn)的作用,以及處理好劇種自身繼承與發(fā)展關(guān)系的重要性。
[Abstract]:Maodong opera is popular in the eastern part of Shandong Province with rich local characteristics. In the process of its development, it not only inherits its own excellent tradition, but also fully absorbs the beneficial factors of other operas, and innovates constantly, so that the music of Maodou has been continuously developed in the process of inheriting the tradition. In this paper, the theory and method of ethnomusicology are adopted, and the case study of Maoju Opera Troupe of Qingdao City is made. The inheritance and development of Maoju Music in different stages since 1980 is regarded as the main content, and the board cavity of traditional Maoqu Opera is taken as the main content. This paper summarizes and analyzes the music form and characteristics of music, expounds the absorption of Maoqu music to Beijing opera, and illustrates the present situation of the development of traditional Maoqu music by taking the creative repertoire of Qingdao Maoju Opera Troupe as an example to illustrate the present situation of the development of traditional Maoqu music. This paper explores the influence of the troupe on the survival and development of the drama, the interaction between the prosperity and the development of the drama, and the importance of dealing well with the relationship between the inheritance and the development of the drama.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：J825
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本文編號(hào)：2445017