【摘要】：20世紀(jì)二三十年代的地方戲開始了現(xiàn)代戲曲史上的第一次都市化高潮。通過地方戲都市化的戲劇生態(tài)環(huán)境和文化背景分析認(rèn)為,都市多元文化的空間自由度以及文化批評(píng)的寬松度對(duì)地方戲的都市化有著重要的影響。而都市化演變的前提是地方戲的自由發(fā)展。20世紀(jì)50年代的第二次都市化因?yàn)槿藶橐蛩氐淖饔?破壞了自由發(fā)展的軌跡使得都市戲曲與鄉(xiāng)村戲曲的互流產(chǎn)生了斷裂,造成了地方戲發(fā)展的困境。通過對(duì)第一次地方戲都市化的研究可以為今天的戲曲改革提供歷史觀照。
[Abstract]:The local opera in the twenties and thirties of the 20th century began the first urbanization climax in the history of modern opera. Through the analysis of the ecological environment and cultural background of the urbanization of local opera, it is concluded that the spatial freedom of urban multiculturalism and the loose degree of cultural criticism have an important influence on the urbanization of local opera. The premise of urbanization evolution is the free development of local opera. The second urbanization of the 1950s, because of the role of human factors, destroyed the free development of the track of free development, resulting in a break in the mutual flow between urban opera and rural opera. It created a dilemma for the development of local opera. Through the first study of the urbanization of local opera can provide a historical view of today's opera reform.
【作者單位】： 淮北師范大學(xué)文學(xué)院;
【基金】：國(guó)家社科基金青年項(xiàng)目“民國(guó)戲曲發(fā)展史”(項(xiàng)目號(hào):15CZW041)階段性成果之一
【分類號(hào)】：J825

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