【摘要】：茂腔是山東的地方戲曲劇種,距今已有二百多年的歷史,被譽為“膠東之花”。茂腔在其發(fā)展過程中雖然經(jīng)歷過輝煌時期,但隨著現(xiàn)代節(jié)奏的加快,地方戲曲不斷受到?jīng)_擊,茂腔面臨著演出無門、傳承無后的困境。2006年茂腔被列入國家非物質(zhì)文化遺產(chǎn)名錄,逐漸引起了學(xué)者們的關(guān)注。 作為茂腔重要源頭之一的五蓮茂腔具有鮮明的地方特色,筆者作為五蓮人,非常關(guān)注家鄉(xiāng)戲曲的發(fā)展。目前對于五蓮地區(qū)茂腔的研究較少,這也是 本文寫作的主要原因。 除緒論和結(jié)語外全文主體共分四個部分: 第一部分五蓮茂腔產(chǎn)生的環(huán)境及發(fā)展,從地理、歷史、文化三個方面介紹五蓮茂腔產(chǎn)生的環(huán)境及其發(fā)展至今所經(jīng)歷的三個時期。 第二部分五蓮茂腔的藝術(shù)特征,從方言、曲調(diào)、表演、音樂形式四個方面對五蓮茂腔進行分析,展現(xiàn)其獨具特色的一面。 第三部分五蓮茂腔的本體研究,從唱腔、板式、伴奏等方面分析。 第四部分,也是本論文的重點,五蓮茂腔的現(xiàn)狀調(diào)查與分析。以專業(yè)劇團和業(yè)余戲班為例,通過田野調(diào)查及文獻分析,還原五蓮縣專業(yè)茂腔劇團和業(yè)余戲班的發(fā)展狀況,分析五蓮茂腔逐漸衰落的原因。通過五蓮縣茂腔劇團的現(xiàn)狀調(diào)查、個案對比等方式對五蓮茂腔的傳承進行分析和總結(jié),并對五蓮茂腔今后的發(fā)展提出從靜態(tài)到動態(tài)的保護措施。
[Abstract]:Maodou is a kind of local opera in Shandong Province. It has a history of more than 200 years and is known as the flower of Jiaodong. Although Mao Opera experienced a brilliant period in its development, with the quickening of the modern rhythm, the local opera was constantly impacted, and Mao Opera was faced with no way to perform. In 2006, Maodou was listed on the national intangible cultural heritage list, gradually aroused the attention of scholars. As one of the important sources of Mao-qu, Wu-Lian-Mao-qu has distinct local characteristics. As a man of Wu-Lian, I pay close attention to the development of traditional opera in my hometown. At present, there is little research on Maoming cavity in Wulian area, which is also the main reason of this article. In addition to the introduction and conclusion, the main body of this paper is divided into four parts: the first part is about the environment and development of Wu-Lian Mao cavity, and it introduces the environment of Wu-Lian Mao-cavity from three aspects: geography, history and culture, and the three periods that the development of Wu-Lian Mao-cavity has experienced so far. The second part analyzes the artistic characteristics of Wulian Mao cavity from four aspects: dialect, tune, performance and music form, and shows its unique side. The third part is the main body research of Wulian Mao cavity, from the singing cavity, plate, accompaniment and so on. The fourth part, is also the focus of this paper, Wulian Mao cavity of the status quo investigation and analysis. Taking professional troupe and amateur theatrical troupe as examples, through field investigation and literature analysis, this paper restores the development of professional maoju troupe and amateur drama troupe in Wulian County, and analyzes the reasons for the gradual decline of Wulian Maodou opera troupe. This paper analyzes and summarizes the inheritance of Wulian Maoming opera troupe through the investigation of the present situation and the case comparison, and puts forward the protection measures from static to dynamic for the future development of Wulian Maoming opera troupe.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J825

【引證文獻】

中國碩士學(xué)位論文全文數(shù)據(jù)庫 前1條

1 程美艷;曾金鳳唱腔藝術(shù)特征研究[D];延邊大學(xué);2013年

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本文編號：2433062