【摘要】：本文以華人戲院為主線(xiàn),研究1879—1929年粵劇在夏威夷的傳播與接受。1879年夏季,夏威夷第一家華人戲院落成,五年后拆除。爾后,兩家華人戲院開(kāi)張�；泟”硌莶粌H吸引了大批華人觀(guān)眾,也受到許多白人和夏威夷土著居民的追捧。另一方面,鑼鼓等樂(lè)器產(chǎn)生的巨大聲響經(jīng)常遭到附近居民的投訴,被警方突襲。1900年的大火焚毀了兩家戲院。嗣后,兩家更大的華人戲院建成,并展開(kāi)激烈的競(jìng)爭(zhēng)。同時(shí),粵劇服裝、音樂(lè)和做工與英語(yǔ)對(duì)白相融合的戲劇形式出現(xiàn)在夏威夷的舞臺(tái)上。粵劇表演不再是純粹的商業(yè)性?shī)蕵?lè)活動(dòng),逐漸被賦予多種社會(huì)功能:呼應(yīng)國(guó)內(nèi)反抗清王朝的斗爭(zhēng),參與公益籌款活動(dòng),彰顯華人民族身份,塑造夏威夷的多元文化。
[Abstract]:This paper studies the spread and acceptance of Cantonese opera in Hawaii from 1879 to 1929. The first Chinese theater in Hawaii was completed in the summer of 1879 and demolished five years later. Then two Chinese theatres opened. Cantonese opera not only attracted a large number of Chinese audience, but also many white and native Hawaiian people. On the other hand, loud noises from instruments such as gongs and drums are often complained of by nearby residents and raided by police. Two theatres were destroyed by fire in 1900. Later, two larger Chinese theatres were built, and fierce competition began. At the same time, Cantonese opera costumes, music and workmanship, combined with English dialogue, appeared on the Hawaiian stage. Cantonese opera performance is no longer a purely commercial entertainment activity, but has gradually been given a variety of social functions: echo the struggle against the Qing Dynasty, participate in public welfare fund-raising activities, highlight the national identity of the Chinese, and shape the multicultural culture of Hawaii.
【作者單位】： 華東師范大學(xué)外語(yǔ)學(xué)院;
【基金】：國(guó)家社科項(xiàng)目“中國(guó)戲曲在美國(guó)的傳播與接受研究”(批準(zhǔn)號(hào)14BZW103)的階段性成果 加州大學(xué)爾灣分校中美“富布賴(lài)特”研究學(xué)者項(xiàng)目 上海市哲學(xué)社會(huì)科學(xué)規(guī)劃課題的資助
【分類(lèi)號(hào)】：J825

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