【摘要】：《木蘭詩(shī)篇》是由劉麟編劇、關(guān)峽作曲的大型情景交響樂(lè)歌劇，該劇目2004年創(chuàng)作于河南歌舞劇院，是我國(guó)新歌劇的代表作。此劇近年來(lái)多次上映于全球各大歌舞劇院，并且受到了廣大群眾的歡迎與喜愛(ài)，之所以產(chǎn)生如此巨大的影響，有諸多方面的因素，比如：創(chuàng)作新穎，將演唱、合唱、舞蹈、交響樂(lè)放在一個(gè)舞臺(tái)之上，故事情節(jié)取材于大家耳熟能詳?shù)摹赌咎m辭》，用音樂(lè)形式說(shuō)明人物特點(diǎn)特別是將“花木蘭”角色以女性柔情和男性剛烈這兩個(gè)方面來(lái)進(jìn)行刻畫(huà)。 本文分為五個(gè)部分來(lái)論述：第一部分為序言，，主要闡述作者了解到歌劇《木蘭詩(shī)篇》的基本概況，以及選題意義。第二部分，對(duì)該該劇的劇情結(jié)構(gòu)和音樂(lè)特色介紹，為后續(xù)闡述做好鋪墊。第三部分，文章的主體部分，對(duì)“花木蘭”這個(gè)人物以及對(duì)她比較有代表性的唱段從人物特性、音樂(lè)特色進(jìn)行分析。同時(shí)參照彭麗媛扮演的“花木蘭”角色，分析她出色的舞臺(tái)表現(xiàn)。第四部分，“木蘭”角色的唱腔藝術(shù)需要從聲音處理、情感處理以及舞臺(tái)表現(xiàn)與臨場(chǎng)發(fā)揮這三個(gè)方面著手，才能將人物表演得生動(dòng)逼人。第五部分為結(jié)語(yǔ)，綜合全文，對(duì)該文章的論述進(jìn)行總結(jié)。
[Abstract]:Mulan Psalm is a large-scale symphony opera written by Liu Lin and composed by Guan Gorge. It was written in Henan Opera and Dance Theatre in 2004 and is the representative work of the new opera in China. In recent years, the play has been shown many times in major opera houses around the world, and it has been welcomed and loved by the masses. There are many factors that have made such a huge impact, such as creative novelty, singing, chorus, and dance. The symphony is placed on a stage, and the story is drawn from the familiar Mulan ci. The characters of Hua Mulan are described in musical form, especially in the aspects of feminine tenderness and masculinity. This article is divided into five parts to discuss: the first part is the preface, mainly expounds the basic situation of the opera Mulan Psalm, and the significance of selecting the topic. In the second part, the plot structure and music features of the play are introduced, which pave the way for further elaboration. The third part, the main part of the article, analyzes the character of Hua Mulan and her representative choir from the characteristics of characters and music. At the same time, according to Peng Liyuan's role, analysis of her outstanding performance on the stage. In the fourth part, the singing art of Mulan needs to be done from three aspects: sound processing, emotion processing, stage performance and performance on the spot, so that the characters can be performed vividly and forcefully. The fifth part is the conclusion, synthesizes the full text, carries on the summary to this article elaboration.
【學(xué)位授予單位】：武漢音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：J822

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