【摘要】：劇場的傳統(tǒng)地位和作用,如今正受到其他更加快捷、方便、價廉的媒體的沖擊。各地的表演藝術(shù)都不同程度地陷于危機(jī);然而它們還尚未像今天這樣被細(xì)致地研究。劇場的地位一再變遷,只是這種變化亂無章法�，F(xiàn)在歐洲和北美都寄希望于亞洲帶來長久有力的激勵;這是因為亞洲能在吸收借鑒西方影響的同時又免于干擾。本文探討了傳統(tǒng)表演中對后繼實踐家們至關(guān)重要的因素;包括評估技巧、訓(xùn)練,和未來二十一世紀(jì)表演兼容并蓄的可能性,而這些都揭示了亞洲的領(lǐng)導(dǎo)地位。
[Abstract]:The traditional status and role of theatres are now being attacked by other faster, more convenient and cheaper media. Performing arts everywhere are in varying degrees of crisis; however, they have not yet been studied in such detail as they are today. The position of the theater has changed again and again, but this change is out of order. Europe and North America are now counting on Asia to provide a lasting boost because it can absorb Western influence without interference. This paper explores the elements of traditional performance that are critical to subsequent practitioners, including evaluation techniques, training, and the possibility of inclusive performance in the future 21 century, all of which reveal Asia's leadership position.
【分類號】：J812

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