【摘要】： 廣西橫縣校椅鎮(zhèn)壯歌劇類屬少數(shù)民族戲曲劇種,是指以當(dāng)?shù)貕炎逦逖陨礁栊问骄帉懗~、融合劉三姐和賓陽(yáng)上鄉(xiāng)調(diào)等多個(gè)地方優(yōu)秀曲調(diào)來進(jìn)行譜曲,配以鑼、鼓、二胡、木魚等主奏樂器,使用當(dāng)?shù)貕颜Z(yǔ)說唱,唱白結(jié)合的一種地方戲曲形式�，F(xiàn)主要流傳于廣西橫縣西北區(qū)、貴港覃塘區(qū)、賓陽(yáng)東南區(qū)的主要壯族村鎮(zhèn)。 壯族地區(qū)的自然生態(tài)基礎(chǔ)及其形成的“那”文化、民眾對(duì)家鄉(xiāng)及本地區(qū)的文化藝術(shù)的感情、壯族聚居的村落文化生態(tài),為新劇種的發(fā)展創(chuàng)造了良好的條件。民間藝術(shù)家憑著對(duì)對(duì)壯族悠久歷史文化的酷愛,適時(shí)把握了民眾的審美需要,在吸取漢族戲劇特別是粵劇的藝術(shù)養(yǎng)分的基礎(chǔ)上促成了壯歌劇的產(chǎn)生。同時(shí),當(dāng)?shù)刎S富多彩的民間節(jié)日習(xí)俗活動(dòng)為壯歌劇文化藝術(shù)的產(chǎn)生和發(fā)展提供了極大的空間。 橫縣校椅鎮(zhèn)壯歌劇由當(dāng)?shù)氐拿耖g藝人自編自演,劇目?jī)?nèi)容來源于當(dāng)?shù)孛褡迕耖g現(xiàn)實(shí)生活,反映了壯族文化的地方特色及當(dāng)?shù)貕炎迦嗣竦膶徝纼r(jià)值和文化觀念,有貼近群眾、貼近生活、貼近現(xiàn)實(shí)的特點(diǎn),受到了群眾的普遍歡迎。成為當(dāng)?shù)孛癖娋裆詈臀幕瘖蕵返闹匾绞?是當(dāng)?shù)孛癖娚钗幕慕M成部分。 作為一種年輕的劇種形式,該劇種契合了當(dāng)?shù)氐奈幕鷳B(tài)環(huán)境,在演唱?jiǎng)∧俊F(tuán)性質(zhì)、演員構(gòu)成、表演形式、演出習(xí)俗等方面與壯族戲劇的其他劇種形式相比,表現(xiàn)出了較強(qiáng)的區(qū)域性。切時(shí)如需的劇目?jī)?nèi)容、符合民眾審美需求的表演形式以及展現(xiàn)地方文化的藝術(shù)形式,使得壯歌劇在民眾生活中具有審美愉悅、道德規(guī)范、儀式宣告、政治宣傳等多重社會(huì)功能。 少數(shù)民族戲劇的傳承主體主要包括劇團(tuán)、編劇、演員和觀眾。橫縣校椅鎮(zhèn)臨江壯歌劇是橫縣及周邊縣市壯歌劇的主流代表,以之為個(gè)案分析廣西橫縣校椅鎮(zhèn)壯歌劇的傳承主體,可以為該民族藝術(shù)在新時(shí)期的傳承和發(fā)展提供有益的思路。民間藝人的創(chuàng)造與參與、演出狀況的優(yōu)化、政府力量的維系、大眾傳媒的介入是維系壯歌劇生存與發(fā)展的外在因素。 總之,探討橫縣校椅鎮(zhèn)壯歌劇的產(chǎn)生和發(fā)展,分析作為民間藝術(shù)的橫縣校椅鎮(zhèn)壯歌劇的獨(dú)特文化內(nèi)涵以及橫縣校椅鎮(zhèn)壯歌劇在傳承發(fā)展中的各種制衡力量可以為壯劇或其它民間劇種的傳承發(fā)展提供諸多啟發(fā)。
[Abstract]:The Zhuang opera category in Hengxian, Guangxi, is a kind of minority opera. It refers to the composition of songs in the form of local Zhuang's five-character folk songs, integrating Liu Sanjie and Binyang Shangxiang tune to compose songs, accompanied by gongs, drums, erhu, etc. Muyu and other main instruments, using local Zhuang rap, singing and white combination of a local opera form. Now mainly spread in the northwest of Hengxian, Qantang District of Guigang, the main Zhuang villages and towns in the southeast of Binyang. The natural ecological foundation of Zhuang nationality region and its "that" culture, the people's feeling for the culture and art in their hometown and the local area, and the village cultural ecology of Zhuang nationality have created good conditions for the development of new drama. Folk artists, with their love for the Zhuang nationality's long history and culture, grasped the aesthetic needs of the people at the right time, and promoted the production of Zhuang opera on the basis of absorbing the artistic nutrients of Han dramas, especially Cantonese opera. At the same time, the local rich and colorful folk festival custom activity provided the enormous space for the Zhuang opera culture and the development. The opera, compiled by local folk artists, is composed by local folk artists in Hengxian County. The content of the opera is derived from the local folk life and reflects the local characteristics of Zhuang culture, the aesthetic value and cultural concept of the local Zhuang people, and is close to the masses. Close to life, close to the characteristics of reality, has been popular with the masses. Become an important way of spiritual life and cultural entertainment of local people, is the component of local people's life culture. As a young form of drama, the play conforms to the local cultural and ecological environment and compares with other forms of drama of Zhuang nationality in the aspects of singing repertoire, the nature of the troupe, the composition of actors, the form of performance, the performing custom, and so on. Showing a strong regional. The content of the opera, the performing form that meets the people's aesthetic demand and the artistic form of showing the local culture make the Zhuang opera have many social functions in the people's life, such as aesthetic pleasure, moral standard, ritual proclamation, political propaganda and so on. The main body of inheritance of minority drama mainly includes troupe, screenwriter, actor and audience. Lijiang Zhuang opera is the mainstream representative of Zhuang opera in Hengxian county and surrounding counties. Taking it as a case study, the main body of inheritance of Zhuang opera in Hengxian school seat town in Guangxi can provide useful ideas for the inheritance and development of this national art in the new period. The creation and participation of folk artists, the optimization of performance conditions, the maintenance of government power and the intervention of mass media are the external factors to maintain the survival and development of Zhuang opera. In a word, it discusses the emergence and development of Zhuang opera in Hengxian school chair town. This paper analyzes the unique cultural connotation of Zhuang opera in Hengxian school seat town as folk art, and the various checks and balances in the inheritance and development of Zhuang opera in Hengxian school seat town can provide many inspirations for the inheritance and development of Zhuang opera or other folk operas.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J825

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 黃偉晶;邕劇的傳承保護(hù)與發(fā)展研究[D];廣西師范學(xué)院;2012年

，

本文編號(hào)：2397884