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論藏戲藝術(shù)對西藏題材油畫創(chuàng)作的借鑒意義

發(fā)布時間:2018-12-30 10:23
【摘要】:藏戲作為一種地域文化,其藝術(shù)形式發(fā)展成熟,自成體系,藝術(shù)風(fēng)格強(qiáng)烈鮮明而又獨(dú)特,具有極強(qiáng)的綜合之美,它雖然依附于宗教精神,但并不完全以頌神和宣教為目的。在發(fā)展的過程中不斷融入民族的情感與美學(xué)思想,包括其所處的自然、社會環(huán)境也對其發(fā)展產(chǎn)生了深刻的影響。它廣博的精神內(nèi)涵和優(yōu)美、夸張、富有程式化的藝術(shù)形式豐富了藏民族的精神生活,,影響并促進(jìn)了藏族傳統(tǒng)繪畫的發(fā)展,自二十世紀(jì)以來,在中國油畫藝術(shù)民族化的過程中,對西藏題材油畫也開始產(chǎn)生影響。本文擬從藏戲的精神內(nèi)涵、審美特征和造型元素三方面來進(jìn)行討論,以揭示其雖然古老卻仍然具有強(qiáng)大生命力和藝術(shù)感染力的原因。特別是對它那古老完整而又具有民族特色的面具藝術(shù)、富有形式美感的服飾,以及獨(dú)特的色彩體系,加以分析研究,從而為西藏題材油畫藝術(shù)創(chuàng)作提供借鑒,最后就油畫藝術(shù)如何向藏戲藝術(shù)借鑒學(xué)習(xí)談?wù)勛陨淼目捶ā?br/>[Abstract]:As a kind of regional culture, Tibetan opera has a mature art form, its own system, strong and distinctive artistic style and strong comprehensive beauty. Although it is attached to the religious spirit, it is not entirely for the purpose of praising God and preaching. In the process of development, the national emotion and aesthetic thought, including its nature, are constantly integrated into the process of development, and the social environment also has a profound impact on its development. Its broad spiritual connotation and graceful, exaggerated and stylized art forms have enriched the spiritual life of the Tibetan people, influenced and promoted the development of Tibetan traditional painting, and since the 20th century, in the process of nationalization of Chinese oil painting art, To Tibet subject matter oil painting also began to produce the influence. This paper discusses the spiritual connotation, aesthetic characteristics and styling elements of Tibetan opera in order to reveal the reason why Tibetan opera still has strong vitality and artistic appeal although it is ancient. In particular, it has analyzed and studied its ancient and complete mask art with national characteristics, the costumes full of formal beauty, and its unique color system, so as to provide a reference for the artistic creation of Tibetan oil paintings. Finally, the oil painting art how to learn from the Tibetan opera art to talk about their own views.
【學(xué)位授予單位】:西安美術(shù)學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2012
【分類號】:J825

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 潘世勛;;我畫西藏50年[J];美術(shù);2008年06期

2 李煥民;;不僅要“說事”也要“說美”[J];美術(shù);2008年06期

3 李昌菊;;雪域高原的民族寫照——油畫本土化歷程中的西藏題材[J];美術(shù);2008年06期



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