【摘要】：戈夫曼的"擬劇論"突破了傳統(tǒng)戲劇的邏輯框架,以獨特的切入方式與價值索求,重新建構了現(xiàn)代戲劇的藝術美學性與社會思想性。在戲劇藝術跨文化交流、融合持續(xù)深化的背景之下,對于戈夫曼的"擬劇論"的定位、傳播也應當?shù)玫酵秸{整。應重新審視戈夫曼的"擬劇論"的時代價值,努力拓展當代戲劇的藝術內涵,對接受眾的消費審美需求,借以完善現(xiàn)有的戲劇運作策略,從而為全球戲劇行業(yè)的繁榮進步提供可行借鑒。
[Abstract]:Goffman's Theory of simulating Drama breaks through the logical framework of traditional drama and reconstructs the artistic aesthetics and social ideology of modern drama with its unique approach and value. Under the background of cross-cultural communication and continuous deepening of the integration of drama art, the orientation of Gaufman's "Drama Simulation Theory" should also be adjusted synchronously. It is necessary to re-examine the value of the era of Goffman's Theory of Drama, to expand the artistic connotation of contemporary drama and to meet the aesthetic needs of the audience, so as to perfect the present operatic operation strategy. Therefore, it provides a feasible reference for the prosperity and progress of the global drama industry.
【作者單位】： 哈爾濱師范大學;
【基金】：黑龍江省藝術科研規(guī)劃項目“意象派詩歌的跨文化特征研究”的部分研究成果。立項編號2017B55
【分類號】：J801
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本文編號：2390739