北京城區(qū)八角鼓票房考：1976-2016
發(fā)布時間：2018-12-06 20:51
【摘要】：八角鼓票房是清代末期在北京城區(qū)興起的一種民間曲藝愛好者的自娛性組織。此傳統(tǒng)一直延續(xù)到“文化大革命”前夕,1976年后又逐漸恢復(fù)。本文采用口述史和田野志相結(jié)合的方法,以清末至“文革”之前的北京城區(qū)八角鼓票房傳統(tǒng)為參照,對新時期即1976年至2016年四十年間北京城區(qū)數(shù)十個八角鼓票房的恢復(fù)存續(xù)狀態(tài)及組織活動特點進行考察,對這四十年間各個八角鼓票房的歷史發(fā)展和藝術(shù)傳揚進行探究,對新時期八角鼓票房的代表人物及演唱曲種和曲目進行了介紹,并結(jié)合律寧、張衛(wèi)東、“白雪遺音”票房的年輕票友以及筆者自身的學(xué)習(xí)經(jīng)歷,探討了新時期八角鼓票房特有的文化價值及社會影響,藉之以為八角鼓票房及其票友這一特殊的曲藝團體與愛好者群體存照立傳,期為當(dāng)代北京曲藝的歷史發(fā)展勾勒一幅視角獨特的剪影與側(cè)面。
[Abstract]:Octagonal drum box office is a kind of self-entertainment organization of folk music lovers in Beijing in the late Qing Dynasty. This tradition continued until the eve of the Cultural Revolution and gradually recovered after 1976. This paper adopts the method of combining oral history with field records, referring to the box office tradition of octagonal drum in Beijing from the late Qing Dynasty to the "Cultural Revolution". This paper investigates the recovery state and organizational characteristics of dozens of octagonal drum box offices in Beijing during the new period from 1976 to 2016, and probes into the historical development and artistic spread of each octagonal drum box office during the past 40 years. This paper introduces the representative figures of octagonal drum box office in the new period, and the singing songs and repertoire, and combines with Luning, Zhang Weidong, the young ticket friends of the box office of "White Snow Yin" and the author's own learning experience. This paper probes into the unique cultural value and social influence of anise drum box office in the new period. Period for the historical development of contemporary Beijing quyi art outline a unique perspective silhouette and profile.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J826
本文編號：2366640
[Abstract]:Octagonal drum box office is a kind of self-entertainment organization of folk music lovers in Beijing in the late Qing Dynasty. This tradition continued until the eve of the Cultural Revolution and gradually recovered after 1976. This paper adopts the method of combining oral history with field records, referring to the box office tradition of octagonal drum in Beijing from the late Qing Dynasty to the "Cultural Revolution". This paper investigates the recovery state and organizational characteristics of dozens of octagonal drum box offices in Beijing during the new period from 1976 to 2016, and probes into the historical development and artistic spread of each octagonal drum box office during the past 40 years. This paper introduces the representative figures of octagonal drum box office in the new period, and the singing songs and repertoire, and combines with Luning, Zhang Weidong, the young ticket friends of the box office of "White Snow Yin" and the author's own learning experience. This paper probes into the unique cultural value and social influence of anise drum box office in the new period. Period for the historical development of contemporary Beijing quyi art outline a unique perspective silhouette and profile.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J826
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，本文編號：2366640
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