【摘要】：歌劇《太陽(yáng)雪》是解放軍總政治部歌劇團(tuán)為慶祝新中國(guó)成立60周年以及參加全軍第9次文藝會(huì)演而創(chuàng)作的歌劇,2009年6月在北京首演。作為新世紀(jì)的軍旅歌劇新作,取材于裘山山長(zhǎng)篇小說(shuō)《我在天堂等你》的歌劇《太陽(yáng)雪》,其文學(xué)劇本和音樂(lè)創(chuàng)作都具有一定的創(chuàng)新意識(shí)和獨(dú)特風(fēng)格。筆者是在對(duì)歌劇文學(xué)劇本、音樂(lè)總譜和音像資料的分析、歸納和研究的基礎(chǔ)上,來(lái)闡述歌劇《太陽(yáng)雪》文學(xué)劇本與音樂(lè)的創(chuàng)作特色,力求為歌劇《太陽(yáng)雪》的研究以及軍旅歌劇的創(chuàng)作和發(fā)展提供有價(jià)值的參考資料。 歌劇《太陽(yáng)雪》只選取了原小說(shuō)中有關(guān)18軍女兵運(yùn)輸隊(duì)在20世紀(jì)50年代初徒步進(jìn)藏的內(nèi)容,采用類(lèi)似音樂(lè)“變奏回旋曲式”的戲劇結(jié)構(gòu),著意于女兵運(yùn)輸隊(duì)徒步進(jìn)藏的過(guò)程,贊頌了進(jìn)藏軍人對(duì)理想的執(zhí)著追求和信念堅(jiān)守;文學(xué)劇本為歌劇音樂(lè)的戲劇性表現(xiàn)提供了發(fā)揮的“空間”。歌劇音樂(lè)的特色之一是采用在歌劇音樂(lè)中貫穿發(fā)展的多個(gè)音樂(lè)主題,形成了歌劇內(nèi)容的高度集中統(tǒng)一,突出了歌劇的主題思想。歌劇音樂(lè)的人物形象塑造,既著意于主人公白雪梅成長(zhǎng)過(guò)程的描述,又通過(guò)其他人物性格的刻畫(huà),采用群像形式集中塑造出豐滿(mǎn)的中國(guó)軍人形象。歌劇音樂(lè)吸收以漢藏音樂(lè)為主的多民族音樂(lè)元素,采用中西交匯的作曲技法和多元多樣的音樂(lè)表現(xiàn)形式,體現(xiàn)出一定的創(chuàng)新意識(shí)和大眾化審美內(nèi)涵。崇高的立意、鮮明的民族特色和雅俗共賞的表現(xiàn)形式,使歌劇《太陽(yáng)雪》成為具有獨(dú)特風(fēng)格的新世紀(jì)軍旅歌劇佳作。
[Abstract]:The opera "Sunsnow" is an opera created by the opera troupe of the General political Department of the PLA to celebrate the 60th anniversary of the founding of New China and to participate in the 9th Art and Art performance of the whole army. It was premiered in Beijing in June 2009. As a new work of military opera in the new century, it is based on the opera "Sunsnow" by Qiu Shan's novel "I'm waiting for you in Heaven". Its literary script and music creation have a certain innovative consciousness and unique style. On the basis of the analysis, induction and study of the opera literary script, the total music spectrum and the audio-visual materials, the author expounds the creative characteristics of the opera "Sunsnow" literary script and music. It aims to provide valuable reference for the research of the opera "Sunsnow" and the creation and development of military opera. The opera "Snow of the Sun" only selects the contents of the original novel about the 18th Army female military transport team that entered Tibet on foot in the early 1950s. The opera adopts a dramatic structure similar to the musical "variation cycle", which is intended to be the course of the female troop convoy hiking into Tibet. Praise the soldiers in Tibet to the ideals of the persistent pursuit and faith to adhere to; The literary script provides the space for the dramatic performance of opera music. One of the characteristics of opera music is the adoption of many musical themes which run through the development of opera music, which forms the highly centralized unity of opera content and highlights the theme thought of opera. The portrayal of the characters of opera music not only focuses on the description of the protagonist Bai Xuemei's growing up process, but also through the depiction of other characters' characters, it uses the group image form to create the plump image of Chinese soldiers. The opera music absorbs the multi-national music element which mainly consists of Han and Tibetan music, and adopts the composition technique of the intersection of China and the West and the diversified music expression form, which embodies the innovation consciousness and the popular aesthetic connotation. The lofty idea, the distinct national characteristic and the expression form of common appreciation make the opera "Sunsnow" become a unique style of military opera in the new century.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類(lèi)號(hào)】：J822;I207.3

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 姜宇;歌劇《太陽(yáng)雪》中“白雪梅”的形象塑造分析[D];南京藝術(shù)學(xué)院;2012年

2 矯妮妮;張千一藏族風(fēng)格流行歌曲研究[D];南京藝術(shù)學(xué)院;2012年

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本文編號(hào)：2329355