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晉劇臉譜的數(shù)字化繪制與系統(tǒng)開發(fā)

發(fā)布時間:2018-11-13 07:16
【摘要】:正作為化妝術的一種,臉譜最初起源于面具。因為戲曲面具遮擋了演員的面部,而且面具只能擁有一種表情,很難體現(xiàn)情緒變化,弱化了觀眾對戲曲的直觀感受,后來逐步發(fā)展為將面具上的圖案紋樣直接繪制在演員臉上,從而形成了戲曲中的臉譜。臉譜應用了寫實與抽象的藝術手法,借鑒了民間圖案樣式,成為集實用性與造型性于一體的視覺藝術。晉劇作為山西最具代表性的地方戲曲劇種,它在吸收了不同劇種精華的基礎上,形成了自己獨特的臉譜形式。晉劇臉譜伴隨著晉
[Abstract]:As a cosmetic technique, facial makeup originated from the mask. Because the opera mask obscured the actor's face, and the mask had only one kind of expression, it was very difficult to reflect the emotional changes, weakening the audience's intuitive feeling of the opera, and gradually developing the pattern on the mask to be painted directly on the actor's face. Thus formed the drama in the face. By using realistic and abstract artistic techniques and drawing lessons from folk patterns, Facebook has become a visual art that integrates practicality and styling. Jin opera, as the most representative local opera in Shanxi, has formed its own unique facial form on the basis of absorbing different kinds of drama essence. The facial composition of Jin Opera is accompanied by Jin Dynasty
【作者單位】: 山西省文化廳文化政策研究中心;
【分類號】:J825


本文編號:2328392

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