【摘要】：正自打16歲進(jìn)入隴縣戲校,至今已27年。開(kāi)始學(xué)藝走上戲曲生涯時(shí),我便與秦腔花臉結(jié)下了不解之緣。如今,作為咸陽(yáng)人民劇院的一名花臉演員,我每年參加演出300多場(chǎng),長(zhǎng)期活躍在秦腔舞臺(tái)上。曾演過(guò)《黑叮本》中的徐延昭,《鍘美案》中的包拯,《九江口》中的張定邊,《打金枝》中的郭子儀,《大報(bào)仇》中的黃忠,《仇薦》中的解弧,《黑虎坐臺(tái)》中的趙公明,《番禺令》中的朱亮祖,《五臺(tái)會(huì)兄》中的楊五郎,《斬單童》中的單童等許多花臉角色,他們伴隨著我從少年到青年至壯年,已深深地浸潤(rùn)在我的生命和性格之中。學(xué)習(xí)、認(rèn)識(shí)并鉆研秦腔花臉?biāo)囆g(shù),已是我人生之旅中繞不過(guò)
[Abstract]:It has been 27 years since I entered Longxian Opera School at the age of 16. At the beginning of my Chinese opera career, I had an inextricable relationship with Qin cavity. Now, as a showman at Xianyang people's Theatre, I perform more than 300 performances a year and have been active on the stage of Qin Opera for a long time. He has played Xu Yanzhao in "Black Ding Ben", Bao Zheng in "the guillotine case", Zhang Dingbian in "Jiujiang Estuary", Guo Ziyi in "playing Jin Zhi", Huang Zhong in "revenge", "Annihilism" in dissolving the arc, and Zhao Gongming in "Black Tiger sitting Station". Zhu Liangzu in "Panyu Ling", Yang Wulang in "Wutai Brotherhood", Shan Tong in "chopping single Children" and many other floral characters, who accompanied me from adolescence to youth to adulthood, have been deeply infiltrated in my life and character. To learn, to know and to study the face art of Qin Opera has been a part of my life.
【作者單位】： 咸陽(yáng)市人民劇團(tuán);
【分類(lèi)號(hào)】：J825

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