華德福提線偶戲與中國(guó)傳統(tǒng)提線偶戲的區(qū)別
發(fā)布時(shí)間:2018-11-10 18:32
【摘要】:隨著時(shí)代的發(fā)展,人們審美及娛樂形式的變化,偶戲藝術(shù)受到了巨大的沖擊,偶戲作為人類文化寶庫(kù)中的一個(gè)重要藝術(shù)形式,急需保護(hù)。本文通過對(duì)華德福提線偶戲和中國(guó)傳統(tǒng)提線偶戲的對(duì)比研究,旨在為中國(guó)傳統(tǒng)偶戲的保護(hù)和傳承找尋一個(gè)新的方向。
[Abstract]:With the development of the times and the changes of people's aesthetic and entertainment forms, the puppet play art has been greatly impacted. As an important art form in the treasure house of human culture, it is in urgent need of protection. This paper aims to find a new direction for the protection and inheritance of Chinese traditional puppetry through a comparative study of the two plays.
【作者單位】: 正德職業(yè)技術(shù)學(xué)院;
【分類號(hào)】:J837
,
本文編號(hào):2323269
[Abstract]:With the development of the times and the changes of people's aesthetic and entertainment forms, the puppet play art has been greatly impacted. As an important art form in the treasure house of human culture, it is in urgent need of protection. This paper aims to find a new direction for the protection and inheritance of Chinese traditional puppetry through a comparative study of the two plays.
【作者單位】: 正德職業(yè)技術(shù)學(xué)院;
【分類號(hào)】:J837
,
本文編號(hào):2323269
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