【摘要】：20世紀(jì)80年代至2015年的30余年中,種族、性別、身份等問(wèn)題成為人們關(guān)注的焦點(diǎn)。在美國(guó),旨在關(guān)注性別問(wèn)題的酷兒戲劇,從20世紀(jì)早、中期的含沙射影,千方百計(jì)隱匿身份,到世紀(jì)末直接、公開地申明自己的權(quán)利,構(gòu)建同性戀烏托邦,成為一種重要的戲劇思潮;聚焦種族問(wèn)題的非裔戲劇,通過(guò)挖掘歷史,再現(xiàn)記憶,撫慰黑人肉體與心靈的創(chuàng)傷,也變得格外引人注目。這兩者作為世紀(jì)之交美國(guó)戲劇的兩支重要潮流,與其它戲劇思潮一起匯聚成世紀(jì)之交美國(guó)戲劇蔚為壯觀的洪流,推動(dòng)了美國(guó)戲劇的向前發(fā)展。
[Abstract]:In more than 30 years from 1980's to 2015, race, gender, identity and other issues have become the focus of attention. In the United States, queer plays that focus on gender issues, from insinuations in the early and middle of the 20th century, trying to hide their identities, to the end of the century, directly and openly assert their rights, and construct a gay utopia. To become an important trend of thought in drama; African-American drama focusing on racial issues has also become particularly striking by digging history, reproducing memories, and soothing the physical and spiritual wounds of blacks. As two important trends of American drama at the turn of the century, these two trends, together with other dramatic trends, converge into a spectacular torrent of American drama at the turn of the century, which promotes the development of American drama.
【作者單位】： 鹽城工學(xué)院外國(guó)語(yǔ)學(xué)院;南京師范大學(xué)外國(guó)語(yǔ)學(xué)院;
【基金】：江蘇省社會(huì)哲學(xué)科學(xué)基金項(xiàng)目:“元戲劇視閾中的帕克斯戲劇研究”(項(xiàng)目號(hào):13WWB002) “江蘇高校優(yōu)勢(shì)學(xué)科建設(shè)工程二期項(xiàng)目”(項(xiàng)目代碼20140901)階段性成果
【分類號(hào)】：J809.712
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本文編號(hào)：2322642