【摘要】：正有人說,在越劇舞臺上,男小生終究是寂寞的�？戳四信涎菰絼　躲~雀臺》后,我強(qiáng)烈地感到,男演員在越劇舞臺上并不寂寞,男演員同樣可以英姿颯爽地站到舞臺的中央。這出由上海越劇院院長、著名劇作家李莉與編劇黃[?合作改編的古裝越劇《銅雀臺》,是一出男女合演的新戲,集結(jié)了該院一團(tuán)的最強(qiáng)陣容,以紀(jì)念上海越劇男女合演60周年。在缺人、少戲,市場尚待培育的現(xiàn)狀下,這臺男女合演的新戲的上演,得到了新老觀眾的廣
[Abstract]:It is said that in the stage of Yue Opera, the boy is lonely after all. After watching the male and female co-starters, I felt strongly that the actor was not lonely on the stage, and that the actor could also stand in the center of the stage. This by Shanghai Yue Theater dean, famous playwright Li and screenwriter Huang [? The co-adaptation of the ancient costume Yue Opera "Bronze Sparrow stage" is a new play co-performed by men and women. It has assembled the strongest lineup of the academy to mark the 60th anniversary of the Shanghai Yue Opera. In the lack of people, less drama, the market has yet to be nurtured, this male and female co-production of the new play, has been new and old audience wide.
【分類號】：J825
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