嘉興平湖鈸子書研究
發(fā)布時間:2018-11-09 08:50
【摘要】:平湖鈸子書是嘉興平湖地區(qū)特有的一種民間說唱藝術(shù),2008年入選第二批國家級非物質(zhì)文化遺產(chǎn)保護名錄。對該曲種進行考察研究既響應了國家加大對鄉(xiāng)村曲藝研究的號召,又積極推動了這一地區(qū)對非物質(zhì)文化遺產(chǎn)的保護和傳承,使大眾更好的理解江浙這一地區(qū)說唱音樂的歷史和傳承。本研究主要通過田野工作,對平湖鈸子書的歷史發(fā)展、表演形式、音樂結(jié)構(gòu)、腔詞關(guān)系等方面進行考察分析,試就作為非物質(zhì)文化遺產(chǎn)的平湖鈸子書現(xiàn)狀、傳承人的身份認同、以及傳統(tǒng)的再創(chuàng)造等問題展開討論,并著重關(guān)注“鈸子書與做社”之間的關(guān)系,從而更深入理解民間說唱是如何被不斷建構(gòu)形成新傳統(tǒng)。
[Abstract]:Pinghu cymbals are unique folk rap art in Pinghu area of Jiaxing. They were selected in the second batch of national intangible cultural heritage protection list in 2008. The investigation and study of the song species not only responds to the call of the state to increase the research on rural qu art, but also actively promotes the protection and inheritance of the intangible cultural heritage in this area. So that the public better understand the history and inheritance of rap music in Jiangsu and Zhejiang. This research mainly through the field work, to the Pinghu cymbals historical development, the performance form, the music structure, the cavity word relation and so on aspect carries on the investigation and analysis, tries to pass on the person's identity on the Pinghu cymbals as the intangible cultural heritage. In order to understand more deeply how folk rap is constructed to form a new tradition, this paper focuses on the relationship between "cymbals" and "doing society".
【學位授予單位】:杭州師范大學
【學位級別】:碩士
【學位授予年份】:2012
【分類號】:J826
本文編號:2319933
[Abstract]:Pinghu cymbals are unique folk rap art in Pinghu area of Jiaxing. They were selected in the second batch of national intangible cultural heritage protection list in 2008. The investigation and study of the song species not only responds to the call of the state to increase the research on rural qu art, but also actively promotes the protection and inheritance of the intangible cultural heritage in this area. So that the public better understand the history and inheritance of rap music in Jiangsu and Zhejiang. This research mainly through the field work, to the Pinghu cymbals historical development, the performance form, the music structure, the cavity word relation and so on aspect carries on the investigation and analysis, tries to pass on the person's identity on the Pinghu cymbals as the intangible cultural heritage. In order to understand more deeply how folk rap is constructed to form a new tradition, this paper focuses on the relationship between "cymbals" and "doing society".
【學位授予單位】:杭州師范大學
【學位級別】:碩士
【學位授予年份】:2012
【分類號】:J826
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