發(fā)布時(shí)間：2018-10-29 20:01

【摘要】：徐于室、鈕少雅編纂的《南曲九宮正始》是清代昆曲曲譜中集大成的格律譜,體現(xiàn)了作者遵古律今、考鏡源流、依規(guī)立矩的撰譜原則。其凸顯的"元乃曲之正宗"的曲學(xué)思想,是其考源、輯劇、辨文、正謬的曲學(xué)導(dǎo)向。其譜例之間豐富的評(píng)語(yǔ)和箋語(yǔ),集中反映了譜主選擇例曲的"古體原詞"意識(shí)、嚴(yán)辨正襯的變體觀念、扶偏救弊的立譜動(dòng)機(jī),豐富和發(fā)展了明清曲譜的制譜經(jīng)驗(yàn)。
[Abstract]:Xu Yuzhang, Niu Shaoya's compilation of "Nannqu Jiugong", is a collection of rules in the qu music of the Qing Dynasty, which embodies the author's principle of following the ancient law, examining the origin of the mirror and standing by the rules. His philosophy of "Yuan is the authentic of qu" is its source of examination, repertoire of drama, differentiation of text and correct and false. The abundant comments and notes between the musical examples reflect the consciousness of "the original words of the ancient style", the concept of strict and correct contrast, the motive of helping to save the disadvantages, and enrich and develop the experience of the music composition of the Ming and Qing dynasties.
【作者單位】： 東華理工大學(xué)江西戲劇資源研究中心;東華理工大學(xué)長(zhǎng)江學(xué)院;
【基金】：2014年度教育部人文社科研究規(guī)劃基金項(xiàng)目《元明清曲譜與南戲傳奇關(guān)系研究》(項(xiàng)目號(hào)14YJA751008)的階段性成果
【分類號(hào)】：J617.5
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本文編號(hào)：2298668