析話劇《一個陌生女人的來信》的意象構(gòu)建
發(fā)布時間：2018-10-26 20:09
【摘要】："意象"一詞是中國古代文論中的一個重要概念。古人以為意是內(nèi)在的抽象的心意,象是外在的具體的物象,意源于內(nèi)心并借助于象來表達(dá),象其實是意的寄托物。在戲劇中,意象的構(gòu)建和升華是一部劇的高級追求。《一個陌生女人的來信》在排演過程中,以意象化的展現(xiàn)為自覺追求,深冀于以“超越自然形態(tài)的方式”感性形象,直接表達(dá)出潛隱在人的精神深處的“最深沉和最多樣化的”情感活動。在這部劇中,無論是演員設(shè)置、布景呈現(xiàn)、道具擇取、肢體表達(dá)、燈光使用等,均有一些意象化的探索和嘗試。毫無疑問,意象讓舞臺上正在發(fā)生的現(xiàn)實變得輕盈,意象傳達(dá)在突出其深刻內(nèi)涵的同時,可以為一部劇插上飛翔的翅膀。作為本人畢業(yè)大戲,編導(dǎo)演的具體實踐,使我愿意做一些理論上的梳理和嘗試,便于在將來的實踐中繼續(xù)揣摩和領(lǐng)悟,獲得更多可行可感的創(chuàng)作規(guī)律,為戲劇的發(fā)展貢獻(xiàn)一點經(jīng)驗。
[Abstract]:The word "image" is an important concept in ancient Chinese literary theory. The ancients thought that the meaning is the inner abstract mind, like the external concrete object image, the meaning originates from the heart and expresses with the help of the image, the elephant is actually the sustenance of the will. In drama, the construction and sublimation of image is the high pursuit of a play. Express directly the "deepest and most diversified" emotional activities that lurk in the depths of the human spirit. In this play, there are some imaginative explorations and attempts, whether it is actor setting, scene presentation, props selection, body expression, lighting use, etc. There is no doubt that the image makes the reality that is happening on the stage light, and the image conveys its profound connotation, at the same time, it can insert the wings of flying for a play. As a concrete practice of my graduate drama and director, I would like to do some theoretical combing and try, so that I can continue to figure out and comprehend in the future practice, and obtain more feasible and sensible creative rules. Contribute a little experience to the development of drama.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J824
本文編號：2296821
[Abstract]:The word "image" is an important concept in ancient Chinese literary theory. The ancients thought that the meaning is the inner abstract mind, like the external concrete object image, the meaning originates from the heart and expresses with the help of the image, the elephant is actually the sustenance of the will. In drama, the construction and sublimation of image is the high pursuit of a play. Express directly the "deepest and most diversified" emotional activities that lurk in the depths of the human spirit. In this play, there are some imaginative explorations and attempts, whether it is actor setting, scene presentation, props selection, body expression, lighting use, etc. There is no doubt that the image makes the reality that is happening on the stage light, and the image conveys its profound connotation, at the same time, it can insert the wings of flying for a play. As a concrete practice of my graduate drama and director, I would like to do some theoretical combing and try, so that I can continue to figure out and comprehend in the future practice, and obtain more feasible and sensible creative rules. Contribute a little experience to the development of drama.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J824
【參考文獻(xiàn)】
相關(guān)期刊論文 前8條
1 張曉青;;《一個陌生女人的來信》在中國的傳播歷程[J];鄭州大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);2013年04期
2 吳戈;;假定性·戲劇時空·舞臺意象與王曉鷹[J];文藝研究;2012年01期
3 汪克敏;;析話劇《懷疑》角色臺詞的行動性[J];云南藝術(shù)學(xué)院學(xué)報;2011年04期
4 何榮智;;試論賴聲川戲劇中的意象特征[J];戲劇文學(xué);2011年07期
5 衛(wèi)嶺;;奧尼爾戲劇的意象營構(gòu)與審美特征[J];學(xué)術(shù)界;2010年12期
6 王曉鷹,張?zhí)m閣;戲劇的三種形態(tài)與《哥本哈根》現(xiàn)象——王曉鷹訪談錄[J];戲劇文學(xué);2005年07期
7 王曉鷹;舞臺意象與表現(xiàn)[J];戲劇(中央戲劇學(xué)院學(xué)報);1995年01期
8 勞·坡林;殷寶書;;談詩的象征[J];世界文學(xué);1981年05期
相關(guān)重要報紙文章 前1條
1 王曉鷹;;創(chuàng)造中國式舞臺意像[N];中國文化報;2015年
，本文編號：2296821
本文鏈接：http://sikaile.net/wenyilunwen/xijuwudaolunwen/2296821.html
最近更新
教材專著
