論普契尼歌劇中凋零的“女人花”
發(fā)布時間:2018-10-26 15:04
【摘要】:普契尼以其感人肺腑的戲劇情節(jié)和優(yōu)美、清新、結構縝密的音樂成為了繼威爾第之后最具有影響力的歌劇作曲家。他的作品真實地揭露了社會的不平等、不公正,并以塑造悲劇性女性見長。本文以普契尼歌劇中的悲劇性女性為切入點進行探究,認真梳理出每部歌劇中悲劇女性的塑造方式。理解普契尼的創(chuàng)作意圖,以求在演唱和教學以及學術研究上對其劇中女性人物有更深刻和準確把握。
[Abstract]:Puccini became the most influential opera composer after Verdi with his moving drama and beautiful, fresh, structured music. His works reveal the inequality and injustice of the society and shape the tragic women. This paper probes into the tragic women in Puccini's operas, and combs out the ways of portraying tragic women in each opera. To understand Puccini's creative intention in order to have a deeper and more accurate grasp of the female characters in his plays in singing, teaching and academic research.
【學位授予單位】:西安音樂學院
【學位級別】:碩士
【學位授予年份】:2010
【分類號】:J832
本文編號:2296108
[Abstract]:Puccini became the most influential opera composer after Verdi with his moving drama and beautiful, fresh, structured music. His works reveal the inequality and injustice of the society and shape the tragic women. This paper probes into the tragic women in Puccini's operas, and combs out the ways of portraying tragic women in each opera. To understand Puccini's creative intention in order to have a deeper and more accurate grasp of the female characters in his plays in singing, teaching and academic research.
【學位授予單位】:西安音樂學院
【學位級別】:碩士
【學位授予年份】:2010
【分類號】:J832
【引證文獻】
相關碩士學位論文 前1條
1 程秀麗;普契尼歌劇《圖蘭朵》的劇本分析[D];東北師范大學;2012年
,本文編號:2296108
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