【摘要】：新中國(guó)成立初"十七年"歌劇創(chuàng)作最主要的類型、也即當(dāng)時(shí)最受觀眾認(rèn)可的歌劇形式,是繼承延安時(shí)期歌劇典范《白毛女》的路子,朝《白毛女》方向的提高。以《洪湖赤衛(wèi)隊(duì)》、《江姐》為代表的這類劇作在藝術(shù)上的主要表現(xiàn)是在戲劇結(jié)構(gòu)上傾向于話劇,音樂(lè)結(jié)構(gòu)上西洋歌劇與中國(guó)民間音樂(lè)、民間戲曲相結(jié)合,歌唱與說(shuō)白交替出現(xiàn),使得音樂(lè)性與喜劇性得到了較好結(jié)合。
[Abstract]:The most important type of opera creation in "seventeen years" in the early years of the founding of New China, that is, the most recognized opera form by the audience at that time, was the way to inherit the opera model "White-haired woman" during the Yan'an period and to improve towards the direction of "White-haired Girl". The main artistic manifestation of such plays, represented by Honghu Red Guard and Jiang Jie, is the tendency of drama in the dramatic structure, the combination of western opera and Chinese folk music, the combination of folk opera and folk opera, and the alternating appearance of singing and saying white. Music and comedy have been better combined.
【作者單位】： 邯鄲學(xué)院;
【分類號(hào)】：J822

【參考文獻(xiàn)】

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