【摘要】： 2003年,開封市歌舞劇院以歌舞的形式對北宋畫家張擇端創(chuàng)作的《清明上河圖》進行藝術(shù)詮釋,創(chuàng)作了大型歌舞劇《清明上河圖》。這部歌舞劇實現(xiàn)了戲劇與舞蹈的完美結(jié)合、歷史與現(xiàn)實的精彩演繹。歌舞劇《清明上河圖》在將非文學類文化遺產(chǎn)轉(zhuǎn)化為綜合音樂、舞蹈、文學、服飾和設(shè)計等適宜現(xiàn)代人們接受的歌舞劇方面塑造了一個成功的范式,也提供了一個深度挖掘文化遺產(chǎn)并借助現(xiàn)代手段使其重現(xiàn)魅力的獨特視角。 本論文關(guān)注的焦點之處是,一方面通過對歌舞劇《清明上河圖》的內(nèi)容介紹,對音樂創(chuàng)作、表演藝術(shù)和造型藝術(shù)設(shè)計分析,挖掘其藝術(shù)特色,豐富并增強觀眾的理解和共鳴,再現(xiàn)宋代京城汴梁的繁榮盛況。另一方面,通過分析歌舞劇《清明上河圖》的文化內(nèi)涵和價值,對促進更多的非文學類文化遺產(chǎn)通過相同或者類似途徑轉(zhuǎn)化成舞臺藝術(shù)品提供有建設(shè)性的參考。
[Abstract]:In 2003, in the form of song and dance, Kaifeng City Opera House interpreted Zhang Qiduan's "Qingming Shanghetu" by singing and dancing, and created a large-scale song and dance play "Qingming Shanghetu". This song and dance play realizes the perfect combination of drama and dance, and the wonderful interpretation of history and reality. The song and dance drama "Ching Ming Shanghe Tu" has shaped a successful paradigm in transforming non-literary cultural heritage into comprehensive music, dance, literature, clothing and design suitable for modern people to accept. It also provides a unique perspective to dig deeply into cultural heritage and to recreate its charm by modern means. The focus of this paper is that, on the one hand, by introducing the content of the song and dance drama "Ching Ming River", and analyzing the design of music creation, performing arts and plastic arts, we can excavate its artistic characteristics, enrich and enhance the understanding and resonance of the audience. Reappear the prosperity of the capital city Bianliang in the Song Dynasty. On the other hand, by analyzing the cultural connotation and value of the song and dance drama "Ching Ming River", it provides a constructive reference for the promotion of more non-literary cultural heritage to be transformed into stage art through the same or similar channels.
【學位授予單位】：河南大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J823

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