唱出歷史—瀕危藝術(shù)瑰寶河洛大鼓唱腔研究
發(fā)布時間：2018-10-18 13:26
【摘要】： 本文通過對河洛大鼓的唱腔進行深入淺出的探討研究,以及對河洛大鼓現(xiàn)狀分析和發(fā)展前景的預測,旨在使全國廣大文藝工作者和人民群眾對河洛大鼓這門古老的曲藝藝術(shù)有所了解,吸引更多的文藝工作者從事河洛大鼓研究工作,引導更多的人們熱愛和關(guān)注河洛大鼓,為改變河洛大鼓目前的瀕危狀況,進一步弘揚民族傳統(tǒng)文化提供微薄的幫助。目前針對于河洛大鼓的研究也只限于演出形式和傳承淵源這兩大方面,筆者就河洛大鼓的淵源進行了簡要的探討,并發(fā)表了個人的淺顯看法,本文中筆者著重對河洛大鼓的所有唱腔板式一一進行了整理、說明,大部分唱腔也都附了示范演唱、演奏譜例,希望能夠填補對河洛大鼓唱腔整理舉例這一方面的空白,文章最后還對河洛大鼓的未來進行了一些大膽的猜測并對河洛大鼓的發(fā)展提供了幾點建議,拋磚引玉,希望能夠引起更多的文藝工作者對這門瀕危藝術(shù)的關(guān)注。
[Abstract]:In this paper, the author makes a deep discussion and study on the singing of the Holo Drum, and forecasts the present situation and the development prospects of the Holo Dagu. The aim is to make the vast number of literary and art workers and the masses of the people throughout the country understand the ancient quyi art of Heluo Dagu, attract more writers and artists to engage in the research work of the Holo Dagu, and guide more people to love and pay attention to the Horo Dagu. In order to change the current endangered situation of Heluo Dagu, and further carry forward the traditional culture of the nation to provide meager help. At present, in view of the fact that the research on the Holo Dagu is limited to the form of performance and the origin of the inheritance, the author makes a brief discussion on the origin of the Horo Dagu, and puts forward his personal simple views. In this paper, the author puts emphasis on arranging all the choir patterns of the Holo Dagu, and explains that most of the vocals are accompanied by demonstration singing and playing examples, in the hope of filling up the gaps in arranging and giving examples of this aspect. At the end of the article, some bold guesses are made on the future of Holo Dagu and some suggestions are provided for the development of Holo Dagu. It is hoped that more writers and artists will pay more attention to this endangered art.
【學位授予單位】：江西師范大學
【學位級別】：碩士
【學位授予年份】：2009
【分類號】：J826
本文編號：2279261
[Abstract]:In this paper, the author makes a deep discussion and study on the singing of the Holo Drum, and forecasts the present situation and the development prospects of the Holo Dagu. The aim is to make the vast number of literary and art workers and the masses of the people throughout the country understand the ancient quyi art of Heluo Dagu, attract more writers and artists to engage in the research work of the Holo Dagu, and guide more people to love and pay attention to the Horo Dagu. In order to change the current endangered situation of Heluo Dagu, and further carry forward the traditional culture of the nation to provide meager help. At present, in view of the fact that the research on the Holo Dagu is limited to the form of performance and the origin of the inheritance, the author makes a brief discussion on the origin of the Horo Dagu, and puts forward his personal simple views. In this paper, the author puts emphasis on arranging all the choir patterns of the Holo Dagu, and explains that most of the vocals are accompanied by demonstration singing and playing examples, in the hope of filling up the gaps in arranging and giving examples of this aspect. At the end of the article, some bold guesses are made on the future of Holo Dagu and some suggestions are provided for the development of Holo Dagu. It is hoped that more writers and artists will pay more attention to this endangered art.
【學位授予單位】：江西師范大學
【學位級別】：碩士
【學位授予年份】：2009
【分類號】：J826
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