“政治共名”時期朝鮮族戲劇研究
發(fā)布時間：2018-10-17 08:04
【摘要】：中國的朝鮮族是從朝鮮半島遷入中國境內(nèi),扎根于東北的遷入民族。中國朝鮮族戲劇作為朝鮮族文化中必不可少的一部分,至今也已有近百年的發(fā)展歷史�？箲�(zhàn)勝利后,我國朝鮮族人民獲得了解放,人民當家做主。朝鮮族戲劇藝術繼承長久以來民族文化的發(fā)展特色,取得了進一步的發(fā)展。 “政治共名”是一種在一定時期內(nèi)社會存在重大政治事件或持續(xù)性的政治傾向的影響下,文化工作和文學創(chuàng)作的主題被這種政治導向所控制,知識分子表達思想的形式也只能是在受此影響的框架和范圍內(nèi)進行的狀態(tài)。當代中國的“政治共名”經(jīng)歷了1949年新中國成立-1966年“文化大革命”爆發(fā)和1966年“文革”-1978年十一屆三種全會召開兩個主要階段�！罢喂裁睂ν瑫r代的文化具有深刻和全面的影響,朝鮮族戲劇文化也逃脫不了這種趨向。 建國后30年,朝鮮族戲劇以社會主義現(xiàn)實主義為創(chuàng)作原則,充滿濃厚的革命熱情和英雄主義精神,以階級斗爭和革命主義為創(chuàng)作主題,同時在一定程度上展現(xiàn)了獨特的民族風情。尤其“文革”時期隨著反右階級斗爭的擴大化,文藝高度統(tǒng)一于政治,“革命樣板戲”占據(jù)了戲劇的主要舞臺,朝鮮族戲劇的創(chuàng)作基本失去了自由,只能以“移植”漢族戲劇維持其生存。 “政治共名”時期,在戲劇領域斯氏體系得以一統(tǒng)天下,社會主義現(xiàn)實主義成為了最基本的創(chuàng)作原則,在這樣的大環(huán)境下,朝鮮族戲劇得到一統(tǒng)發(fā)展。在文化傾向上朝鮮族戲劇表現(xiàn)出藝術的復合性：傳統(tǒng)戲劇傳承了朝鮮族傳統(tǒng)的文化藝術精華,具有濃厚的傳統(tǒng)民族特色和風格；翻譯戲劇在政治社會大背景下,以原有作品為創(chuàng)作基礎,融合進朝鮮民族的審美情趣,形成適應新的審美文化需求的新型創(chuàng)作；原創(chuàng)戲劇則融匯中華民族性和朝鮮族民族特色為一體,創(chuàng)作出具有時代精神的民族戲劇,為民族藝術和中華藝術做出重要貢獻。然而,在政治傾向上朝鮮族戲劇呈現(xiàn)一元化的政治傾向性。
[Abstract]:The Korean people in China are the immigrants from the Korean Peninsula and rooted in the Northeast. As an indispensable part of Korean culture, Chinese Korean drama has a history of nearly 100 years. After the victory of the War of Resistance against Japan, the Korean people in our country were liberated and the people were the masters of their own country. The Korean drama art inherits the long-standing national culture development characteristic, has obtained the further development. "political co-nomenclature" is a kind of political orientation that controls the theme of cultural work and literary creation under the influence of major political events or persistent political tendencies in the society for a certain period of time. The form of intellectual expression can only be carried out within the framework and scope of this influence. The political name in contemporary China has undergone two main stages: the founding of New China in 1949, the outbreak of the "Cultural Revolution" in 1966 and the opening of the three Plenary sessions of the Eleventh Party Congress in 1978. Political synonym has a profound and comprehensive influence on the contemporary culture, and the Korean drama culture cannot escape this trend. Thirty years after the founding of the people's Republic of Korea, the Korean dramas took socialist realism as the creative principle, filled with strong revolutionary enthusiasm and heroism, and took class struggle and revolutionism as the creative theme. At the same time, to a certain extent, it shows unique national customs. Especially during the "Cultural Revolution" period, with the expansion of the anti-right class struggle, literature and art were highly unified in politics, the "revolutionary model opera" occupied the main stage of drama, and the creation of Korean drama basically lost its freedom. They can only survive by transplanting Han dramas. During the period of "political co-fame", the system of "Si's family" in the field of drama was dominated, and socialist realism became the most basic creative principle. Under such a big environment, Korean drama was unified and developed. In terms of cultural tendency, Korean drama shows artistic complexity: traditional drama inherits the essence of Korean traditional culture and art, and has strong traditional national characteristics and style. On the basis of the original works, it integrates the aesthetic tastes of the Korean nation and forms a new type of creation adapted to the new aesthetic cultural needs, while the original drama integrates the Chinese nationality and the Korean national characteristics as a whole. To create a national drama with the spirit of the times, to make important contributions to national art and Chinese art. However, in the political tendency, Korean drama presents a monistic political tendency.
【學位授予單位】：延邊大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J809.2
本文編號：2276035
[Abstract]:The Korean people in China are the immigrants from the Korean Peninsula and rooted in the Northeast. As an indispensable part of Korean culture, Chinese Korean drama has a history of nearly 100 years. After the victory of the War of Resistance against Japan, the Korean people in our country were liberated and the people were the masters of their own country. The Korean drama art inherits the long-standing national culture development characteristic, has obtained the further development. "political co-nomenclature" is a kind of political orientation that controls the theme of cultural work and literary creation under the influence of major political events or persistent political tendencies in the society for a certain period of time. The form of intellectual expression can only be carried out within the framework and scope of this influence. The political name in contemporary China has undergone two main stages: the founding of New China in 1949, the outbreak of the "Cultural Revolution" in 1966 and the opening of the three Plenary sessions of the Eleventh Party Congress in 1978. Political synonym has a profound and comprehensive influence on the contemporary culture, and the Korean drama culture cannot escape this trend. Thirty years after the founding of the people's Republic of Korea, the Korean dramas took socialist realism as the creative principle, filled with strong revolutionary enthusiasm and heroism, and took class struggle and revolutionism as the creative theme. At the same time, to a certain extent, it shows unique national customs. Especially during the "Cultural Revolution" period, with the expansion of the anti-right class struggle, literature and art were highly unified in politics, the "revolutionary model opera" occupied the main stage of drama, and the creation of Korean drama basically lost its freedom. They can only survive by transplanting Han dramas. During the period of "political co-fame", the system of "Si's family" in the field of drama was dominated, and socialist realism became the most basic creative principle. Under such a big environment, Korean drama was unified and developed. In terms of cultural tendency, Korean drama shows artistic complexity: traditional drama inherits the essence of Korean traditional culture and art, and has strong traditional national characteristics and style. On the basis of the original works, it integrates the aesthetic tastes of the Korean nation and forms a new type of creation adapted to the new aesthetic cultural needs, while the original drama integrates the Chinese nationality and the Korean national characteristics as a whole. To create a national drama with the spirit of the times, to make important contributions to national art and Chinese art. However, in the political tendency, Korean drama presents a monistic political tendency.
【學位授予單位】：延邊大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J809.2
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