【摘要】：物質(zhì)感的出現(xiàn),標志著中國話劇舞美寫實能力的成熟。十七年期間,隨著演劇體系化的推進,舞美界的技術(shù)與物質(zhì)條件得以改善,幻覺型舞美亦獲得了一種優(yōu)勢地位。在這個過程中,話劇舞美中物質(zhì)感的營造不斷被推進,發(fā)展出穩(wěn)定的類型與操作方式,在既有的技術(shù)條件與美學(xué)框架中,充分實現(xiàn)了自己的藝術(shù)潛力。與此同時,其缺陷也暴露無遺,即受制于"再現(xiàn)的框架"與"有限生活"。
[Abstract]:The appearance of material sense marks the maturity of realistic ability of Chinese modern drama. During the seventeen years, with the promotion of systematization, the technical and material conditions of the dance world were improved, and the hallucinatory dance also gained a dominant position. In this process, the construction of the texture in the drama dance beauty is constantly promoted, the stable type and operation mode are developed, and the artistic potential is fully realized in the existing technical conditions and aesthetic framework. At the same time, its defects are also exposed, that is, subject to the "framework of reproduction" and "limited life."
【作者單位】： 揚州大學(xué)新聞與傳媒學(xué)院;
【分類號】：J824
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本文編號：2258603