【摘要】：正為紀念湯顯祖逝世400周年,上海音樂學(xué)院、江西省撫州市人民政府聯(lián)合出品了大型音樂劇《夢臨湯顯祖》。場刊上,"傾情原創(chuàng)、中國風范"八個字格外醒目——可以理解的是,湯顯祖作《牡丹亭》時,追求的是"不知所起,一往而深,生者可以死,死者可以生"的"至情";我們的音樂劇要《夢臨湯顯祖》,不"傾情"何以能"至情"?同樣可以理解的是,音樂劇
[Abstract]:To commemorate the 400th anniversary of the death of Tang Xianzu, the Shanghai Conservatory of Music and the Fuzhou Municipal people's Government of Jiangxi Province jointly produced a large-scale musical, the Dream of Tang Xianzu. In the field magazine, "Love original, Chinese style" eight words are particularly eye-catching-understandably, when Tang Xianzu wrote "Peony Pavilion", what he pursued was "I don't know what I started, but once I went deep, the living could die." The dead can live "the best feelings"; our musical wants to "dream to Tang Xianzu". How can we "love" if we do not "fall in love"?. And understandably, musicals
【作者單位】： 中國文藝評論家協(xié)會;南京藝術(shù)學(xué)院中國當代舞劇研究中心;
【分類號】：J822
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本文編號：2252281